Abbotson, Susan C. W.

• Willy Loman’s Long Night’s Journey Into Day

Adler, Thomas P.

• Beyond Synge: O'Neill's Anna Christie

• A Cabin in the Woods, A Summerhouse in a Garden: Closure and Enclosure in O'Neill's More Stately Mansions

Ahmed, Shahed

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama

• Eugene O’Neill’s Mourning Becomes Electra: An Overview of Structural and Thematic Traits

• Staging Uprising: Eugene O’Neill’s The Dreamy Kid and Racial Anxieties

Airoldi, Anna

• A Moon for the Misbegotten, The Old Vic Theatre, London, England, 2006 (review)

Bahroun, Adel

• The Evil Particles of Desire in O’Neill’s Strange Interlude

• Schizorevolution in O’Neill’s The Hairy Ape

Basile, Michael

• Stage Directions: O'Neill's Unheard Voice

Ben-Zvi, Linda

• Eugene O'Neill and Film

• Long Day's Journey Into Night, Denver Center Theatre Company, 1988 (review)

• Susan Glaspell and Eugene O'Neill

• Susan Glaspell and Eugene O'Neill: The Imagery of Gender

Berkowitz, Gerald M.

• Long Day's Journey Into Night (abridged), Edinburgh International Festival, Scotland, 1982 (review)

• A Moon for the Misbegotten, Riverside Studios, London, 1983 (review)

Berlin, Normand

• O'Neill and Comedy: The Iceman Cometh

Bermel, Albert

• A Crutch of the Poet

• O'Neill's Funny Valentine

Bernstein, Samuel J.

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape

Berry, David W.

• Albee and the Iceman: O'Neill's Influence on Who's Afraid of Virginia Woolf?

Black, Stephen A.

• Ah, Wilderness!, Cincinnati Playhouse in the Park, Cincinnati, Ohio, 2002 (review)

• Beyond the Horizon, The Old Barn, Tao House, Danville, California, 2002 (review)

• Cole, Susan Letzler. The Absent One: Mourning, Ritual, Tragedy and the Performance of Ambivalence (review)

• Ella O'Neill's Addiction

• The Iceman Cometh, Oregon Shakespearean Festival, Ashland, OR, 1988 (review)

• The Iceman Cometh, Dulaang Theater, University of the Philippines, Manila, 2004 (review)

• Long Day's Journey Into Night, Northwest Actors Studio, Seattle, Washington, 2005 (review)

• A Moon for the Misbegotten, ACT, Seattle, Washington, 2003 (review)

• A Moon for the Misbegotten, Triad Stage, Greensboro, NC, 2005 (review)

• The War Among the Tyrones

Bloom, Steven F.

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy

• Gilmore, Thomas B. Equivocal Spirits: Alcoholism and Drinking in Twentieth-Century Literature (review)

• Long Day's Journey Into Night, Broadhurst Theatre, New York City, 1986 (review)

• The Role of Drinking and Alcoholism in O'Neill's Late Plays

• Waiting for the Dough: O'Neill's Hughie

Bogard, Travis

• “C. W. D’s” at Tao House

• Eugene O'Neill in the West

• First Love: Eugene O'Neill and "Boutade"

• "My Yosephine": The Music for Anna Christie

Boksh, Shanjida K.

• Eugene O’Neill’s Mourning Becomes Electra: An Overview of Structural and Thematic Traits

Bower, Martha Gilman

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players

• The Cycle Women and Carlotta Monterey O'Neill

Bowles, Patrick

• Another Biblical Parallel in Desire Under the Elms

• The Hairy Ape as Existential Allegory

Brask, Per K.

• The Ape and the Elephant

• Notes on O'Neill and A Touch of the Poet

Brooks, Marshall

• Anna Christie, New England Repertory Theatre, Worcester, 1981 (review)

• Brevda, William. Harry Kemp, The Last Bohemian (review)

• Eugene O'Neill's Boston

• The Great God Brown, Laurie Theatre, Brandeis University, Waltham, 1984 (review)

• Harry Kemp: Lest We Forget

• Kemp, Harry. Poet of the Dunes (review)

• Long Day's Journey Into Night, New York Shakespeare Festival Public Theater, New York City, 1981 (review)

• Long Day's Journey Into Night, Nucleo Eclettico, Boston, 1982 (review)

• A Touch of the Poet, The Concord Players, Concord, 1983 (review)

Brucher, Richard

• Anna Christie and Christy Mahon

Burian, Jarka M.

• The Great God Brown, State University of New York, Albany, 1985 (review)

• Marco Millions, National Theatre, Prague, Czechoslovakia, 1988 (review)

• Mourning Becomes Electra, Mahen [State] Theatre, Brno, Czechoslovakia, 1988 (review)

Butler, Robert

• Artifice and Art -- Words in The Iceman Cometh and Hughie

Cardullo, Bert

• The Function of Simon Harford in A Touch of the Poet

• Parallelism and Divergence: The Case of She Stoops to Conquer and Long Day's Journey Into Night

Carpenter, Charles A.

• Eugene O’Neill, 1888-1953: A Descriptive Chronology of His Plays, Theatrical Career, and Dramatic Theories

Carpenter, Frederic I.

• Hughie: By Way of Obit

• Strange Interlude -- Strange Criticism

Case, Claudia Wilsch

• What They Really Saw: Using Archives to Reconstruct the Censored Performance of Eugene O’Neill’s Strange Interlude

Chase, Yoko Onizuka

• Eugene O’Neill’s Poetics of Dionysus through his Presentation of Xenoi, Metoikoi and Barbaroi

Chothia, Jean

• "Native Eloquence": Multiple Voices in Long Day's Journey Into Night

Condee, William F.

• A Touch of the Poet, The Young Vic and Comedy Theatres, London, 1988 (review)

Connolly, Thomas F.

• Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama (review)

• Ah, Wilderness!, Winchester Unitarian Players, Winchester, MA, 1987 (review)

• Anna Christie, Ohio University Players, Monomoy Theatre, Chatham, MA, 1987 (review)

• Burkman, Katherine H. The Arrival of Godot: Ritual Patterns in Modern Drama (review)

• Hughie, American Repertory Theatre, Cambridge, 1983 (review)

• Long Day's Journey,Gateway Playhouse, Wareham, 1984 (review)

• The Long Voyage Home, Kresge Little Theatre, Cambridge, 1984 (review)

• A Moon for the Misbegotten, Barton Square Playhouse, Salem, 1982 (review)

• A Moon for the Misbegotten, The Lyric Stage, Boston, 1983 (review)

• Murphy, Brenda. American Realism and American Drama (review)

• "Where the Cross is Made," "Before Breakfast," and "The Dreamy Kid," Tower Theatre, Massachusetts College of Art, Boston, 1986 (review)

Czarnecki, Ali

• Breaking Boundaries: The Wooster Group’s Deconstruction of The Emperor Jones

Cunningham, Frank R.

• The Ancient Mariner and the Genesis of O'Neill's Romanticism

Dorset, Gerald

• Orlandello, John. O'Neill on Film (review)

Dowling, Robert M.

• Marco Millions (based on lies), Waterwell, Lion at Theatre Row, New York, NY, 2006 (review)

Drucker, Trudy

• The Return of O'Neill's "Play of Old Sorrow"

• Sexuality as Destiny: The Shadow Lives of O'Neill's Women

Dubost, Thierry

• Strange Interlude, and the Quest for Truth

Duclos, Donald P.

• A Plank in Faulkner's "Lumber Room": The Emperor Jones and Light in August

Eaton, Richard B.

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . .

• Four Letters by Eugene O'Neill

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography

Egri, Peter

• Beneath The Calms of Capricorn: O'Neill's Adoption and Naturalization of European Models

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill

• The Iceman Cometh: European Origins and American Originality

• The Iceman Cometh: European Origins and American Originality (Part Two)

• The Iceman Cometh: European Origins and American Originality (Conclusion)

• O'Neill's Genres: Early Performance and Late Achievement

Einenkel, Robert

• Long Day's Journey Towards Separation: The Mary-Edmund Struggle

Eisen, Kurt

• E.G.O.: The Passions of Eugene Gladstone O'Neill, Provincetown Theater, Provincetown, Massachusetts, 2005 (review)

Fambrough, Preston

• The Tragic Cosmology of O'Neill's Desire Under the Elms

Field, Brad

• Doing O'Neill

Filipowicz-Findlay, Halina

• O'Neill's Plays in Poland

Fisher, James

• Eugene O'Neill and Edward Gordon Craig

• Long Day's Journey Into Night, Indiana Repertory Theater, Indianapolis, IN, 1988 (review)

• Mourning Becomes Electra, Indiana Repertory Theatre, Indianapolis, 1986 (review)

Floyd, Virginia

• O'Neill at Work: A Pen in Trust to Art

• The Search for Self in The Hairy Ape: An Exercise in Futility?

Frank, Glenda

• Beyond the Horizon, Boomerang Theatre Company at Center Stage, New York, New York, 2004 (review)

• The Emperor Jones, The First Floor Theatre, La MaMa, ETC, New York, NY, 2006 (review)

• The Emperor Jones, The Wooster Group, St. Ann’s Warehouse, Brooklyn, New York, 2006 (review)

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 (review)

Frazer, Winifred

• Desire Under the Elms, Asolo Theatre, Sarasota, 1977 (review)

• Eugene O'Neill, Poems: 1912-1944: A Review

• Floyd, Virginia. Eugene O'Neill at Work (review)

• A Lost Poem by Eugene O'Neill

• A Moon for the Misbegotten, Asolo State Theater, Sarasota, Florida, 1986 (review)

• O'Neill's Stately Mansions: A Visitors Reminiscences

Frenz, Horst

• Three European Productions of The Hairy Ape

Gallup, Donald

• The Eugene O'Neill Collection at Yale

Gandouz, Olfa

• “They’s gold in the fields o’ California…. Dog’ll eat dog” – Insatiable Desire for Possession in Eugene O’Neill’s Desire Under the Elms

Garvey, Sheila Hickey

• Notes on a Work in Progress: An Interview with Barbara Gelb

• Reacreating a Myth: The Iceman Cometh in Washington, 1985

• Rethinking O'Neill

Gawad, Naeema A.

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods

Gelb, Arthur

• As O’Neill Saw the Theatre

• At the Roots of O'Neill's 'Elms'

• Coronet Theatre to Be Renamed in Honor Of Eugene O’Neill

• Drama by O'Neill Slated in Sweden

• Dream and Live

• Early O'Neill: 'Long Voyage Home' Given at Mermaid (review)

• An Epitaph for the O'Neills

• January Revival for ‘Hairy Ape’

• Long Journey Into Light

• Name of O’Neill Adorns Theatre

• Native Tragedy: 'Beyond the Horizon' Given in Milwaukee (review)

• New O’Neill Drama Is Found by Swede

• O'Neill Tragedy: Swedish Actors Give Play Its Full Value (review)

• O’Neill’s Birthplace Is Marked By Plaque at Times Square Site

• O'Neill's Hopeless Hope for a Giant Cycle

• O’Neill’s ‘Hughie’ to Make U.S. Bow

• O'Neill's 'Lost Work' (review)

• Onstage He Played the Novelist

• Second Thoughts

• Swede Aglow Over Last Unpublished O'Neill Play

• Sweden to Stage Two O'Neill Plays

• Wharf-Theater Era Takes a Curtain Call

Gelb, Barbara

• As O’Neill Saw the Theatre

• The 'Child' O'Neill Tore Up

• Concealing While Revealing: O'Neill's Way With Truth

• In Search of O'Neill

• Jason Jamie Robards Tyrone

• A Mint From the 'Misbegotten'

• O'Neill's Father Shaped His Son's Vision

• O'Neill's 'Iceman' Sprang From the Ashes of His Youth

• O'Neill's Seething 'Interlude' Returns to Broadway

• Quintero in the Square

• A Second Look, and a Second Chance to Forgive

• Second Thoughts

• Theater for Readers (review)

• To O'Neill, She Was Wife, Mistress, Mother, Nurse

• A Touch of the Poet

• A Touch of the Tragic

• 'Written in Tears And Blood...'

Gill, Glenda E.

• A Call to Restore the Classics at Selected Historically Black Colleges and Universities (HBCUs); For Example, Eugene O'Neill

• The Development of a Theatre Historian: An Interview with Glenda E. Gill

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays

Glazier, Marnie J.

• O’Neill’s Earth: Landscape in Bound East for Cardiff and Beyond

• The Soil and the Sea: Eco-trajectory in Three of Eugene O’Neill’s Formative Works

Grunert, Andrea

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 (review)

Hammerman, Harley J

• Debunking "The Screenews of War"

• Eugene O’Neill – A Documentary Film, PBS, 2006 (review)

• Hughie: Robards' Monte Cristo?

• On Collecting O'Neill

• On Collecting O'Neill:  Part Two

Hanson, Eugene K.

• Ah, Wilderness!, Kennedy Theatre. University of Hawaii, Honolulu, 1985 (review)

• Long Day's Journey and Ah, Wilderness!, San Diego Repertory Theatre, 1984 (review)

• Long Day's Journey Into Night, Richmond Shepard Theater Studios, Hollywood, 1982 (review)

• Long Day's Journey, Intiman Theatre, Seattle, 1984 (review)

• A Moon for the Misbegotten, Grove Theatre Company, Gem Theatre, Garden Grove, CA, 1986 (review)

• A Moon for the Misbegotten, Sacramento Theatre Company, Sacramento, CA, 1987 (review)

• Strange Interlude, Bretania Theatre, Athens, Greece, Spring 1985 (review)

Hanson, Luther

• Long Day's Journey Into Night, Pacific Conservatory of the Performing Arts, Santa Maria, California, 1985 (review)

Hawley, William

• The Iceman Cometh and the Critics--1946, 1956, 1973

Herrmann-Miller, Eileen

• The Sea versus Anna: Metaphoric Contrarieties

• Staging O’Neill: Staging Greek Tragedy

Hill, Caroline

• Rage Against Miscegenation: The Controversy of Eugene O'Neill's All God's Chillun Got Wings

Hinden, Michael

• The Emperor Jones: O'Neill, Nietzshe, and the American Past

• Ironic Use of Myth in The Hairy Ape

• Paradise Lost: O'Neill and American History

• "Splendid Twaddle": O'Neill and Richard Middleton

• The Transitional Nature of All God's Chillun Got Wings

Hori, Mariko

• On Two Major Recent Productions of O’Neill in Japan

Hornby, Richard

• O'Neill's Metadrama

Horovitz, Israel

• The Legacy of O'Neill

Hughes, Ann D.

• Biblical Allusions in The Hairy Ape

Iverson, John

• The Id, Ego and Super Ego of O’Neill: Reflected in The Iceman Cometh

Jackson, Esther M.

• Eugene O'Neill's More Stately Mansions: Studies in Dramatic Form at the University of Wisconsin-Madison

• Dramatic Form in Eugene O'Neill's The Calms of Capricorn

• O’Neill the Humanist

Jenckes, Norma

• O'Neill's Use of Irish-Yankee Stereotypes in A Touch of the Poet

Jiji, Vera

• "Eugene O'Neill: From the Sea to the City," Studio Theatre Productions, New York City, 1982 (review)

Jones, Nathaniel

• The Hairy Ape: An Illustrated Blog

Jurich, Joseph

• Jack London and The Hairy Ape

Jurich, Marilyn

• Men of Iron, Beasts of Clay: The Confluence of Folk-Tale and Drama in "Joe Magarac" and The Hairy Ape

Kalson, Albert E.

• Desire Under the Elms, Greenwich Theatre, London, 1987 (review)

• The Hairy Ape, National Theatre, London, 1987 (review)

• Long Day's Journey Into Night, Arts Theatre, London, 1984 (review)

• Strange Interlude, Duke of York's Theatre, London, 1984 (review)

King, William Davies

• Hammerman's O'Neill

• Hughie, Center Stage Theater, Santa Barbara, CA, 2006 (review)

• “Our Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh

Kirk, Norman Andrew

• "Good Morning, Eugene" (poem)

Kolin, Philip C.

• All God's Chillun Got Wings and Macbeth

Krafchick, Marcelline

• Hughie and The Zoo Story

• Hughie: Some Light on O'Neill's Moon

Kurahashi, Yuko

• Beyond the Horizon, Ensemble Theatre, Cleveland Heights, Ohio, 2014 (review)

• Long Day’s Journey Into Night, Cleveland Play House, Cleveland, 2005 (review)

Larner, Daniel

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries

• O'Neill's Fear and Pity:  the Dionysian Living Death

Le Bastard, Gwenola

• Experiencing the Community: Eugene O'Neill's Ambivalent Response to Bohemian Utopia

Lewis, Ward B.

• Ah, Wilderness!, Alliance Theatre School of Atlanta, Madison-Morgan Cultural Center, Madison, Georgia, 1986 (review)

• A Moon for the Misbegotten, Theatrical Outfit, Atlanta, Georgia, 1987 (review)

Linney, Romulus

• About O'Neill

Lister, Joedy

• Long Day's Journey Into Night, High Point Theatre, North Carolina Shakespeare Festival, 1983 (review)

Liu, Haiping

• Andi (Anna Christie), Theater of the Central Academy of Dramatic Arts, Beijing, China, 1984 (review)

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness

• Taoism in O'Neill's Tao House Plays

Majumdar, Rupendra Guha

• Eugene O'Neill and His Settings Through the Eyes of An Indian

• O’Neill’s American Precursors

Mallett, Mary K.

• O'Neill Family Genealogy -- Frank A. Kunckel's Letter

Mandl, Bette

• Absence as Presence: The Second Sex in The Iceman Cometh

• Family Ties: Landscape and Gender in Desire Under the Elms

• Wrestling with the Angel in the House: Mary Tyrone's Long Journey

Manheim, Michael

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night

• Eugene O'Neill: America's National Playwright

• The Iceman Cometh

• Long Day’s Journey Into Night

• Long Day’s Journey into Night and Hughie

• Long Day's Journey Into Night, Court Theatre (University of Chicago), Chicago, 1984 (review)

• A Moon for the Misbegotten

• Motifs in Long Day’s Journey Into Night

• O'Neill's Transcendence of Melodrama in the Late Plays

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten

• The Stature of Long Day’s Journey Into Night

• The Transcendence of Melodrama in Long Day’s Journey Into Night

• The Transcendence of Melodrama in O’Neill’s The Iceman Cometh

• Up From Melodrama

Marino, Stephen

• Primogeniture in the Plays of Eugene O’Neill and Arthur Miller

Mason, Jeffrey D.

• Four Plays of the Sea ("S.S. Glencairn"), Just So Productions, San Francisco, 1988 (review)

Maufort, Marc

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917)

• The Legacy of Melville's Pierre: Family Relationships in Mourning Becomes Electra

• Long Day's Journey Into Night, Korrekelder Theatre Company, Bruges, Belgium, 1986 (review)

• Long Day's Journey Into Night, Théâtre Royal du Parc, Brussels, Belgium and Théâtre Jean Vilar, Louvain, Belgium, 2003 (review)

McDermott, Dana S.

• Robert Edmund Jones and Eugene O'Neill: Two American Visionaries

McIlvaine, Robert

• Crane's Maggie: A Source for The Hairy Ape

McKelly, James C.

• Ain't It the Truth: Hughie and the Power of Fiction

McLaughlin, Rosemary

• From Paterson to P’town: How a Silk Strike in New Jersey Inspired the Provincetown Players

McQueen, Joan

• O'Neill as Seth in Mourning Becomes Electra

Mikoś, Michael

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms

Miller, Jordan Y.

• Barlow, Judith E. Final Acts: The Creation of Three Late O'Neill Plays (review)

• Floyd, Virginia. The Plays of Eugene O'Neill: A New Assessment (review)

• From Nobody to Nobel: Two Decades of First Night O'Neill Criticism

• Roberts, Nancy L. and Roberts, Arthur W. "As Ever, Gene": The Letters of Eugene O'Neill to George Jean Nathan (review)

Miller, Ronald R.

• History as Image: Approaches to the Staging of Eugene O'Neill's More Stately Mansions

Misak, John

• The Tragedy of the Train Wrecks: O’Neill’s The Iceman Cometh and Reality TV

Moloney, Keely

• From Modernism to Post-Modernism: The Modes and Goals of Experimental Theater in Eugene O’Neill’s The Hairy Ape

Monteiro, George

• Jero Magon, Stager of Eugene O'Neill

• John Francis, Go-Between for Provincetown and the Players

Moorton, Richard F.

• What's in a Name? The Significance of "Mannon" in Mourning Becomes Electra

Morello, Jo

• Gene & Aggie

Morrison, Kristin

• Conrad and O'Neill as Playwrights of the Sea

Mulroy, David

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms

Murphy, Brenda

• O'Neill's Realism: A Structural Approach

Nastal, Jessica L.

• The Tyrone Family as Allegory for Pre-World War Two United States of America: Illusions of an Isolationist Nation

Nastić, Radmila

• Eugene O’Neill Reconsidered: Trauma and the Tragic in The Emperor Jones

Nelson, Doris

• O'Neill's Women

Nolan, Patrick J.

• Desire Under the Elms: Characters by Jung

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race

Oldman, Elizabeth

• Yank’s Consciousness of Alienation in O’Neill’s The Hairy Ape

Olsson, Tom J. A.

• Den Ludna Gorillan (The Hairy Ape), Folkteatern (The People's Theatre), Gavle, Sweden, 1986 (review)

• Kejsar Jones, Royal Opera, Stockholm, Sweden, 1984 (review)

O’Neill, Michael C.

• O'Neill's Ireland: Old Sod or Blarney Bog?

• Short Plays, Small Spaces, Dreamy Kids

Pattin, Deborah Kellar

• Ah, Wilderness!, Seattle Repertory Theatre, Seattle, 1981 (review)

• A Touch of the Poet, Intiman Theatre, Seattle, 1981 (review)

Perrin, Robert

• Bringing O'Neill's Works to Life in the Drama Classroom

• O'Neill's Use of Language in Where the Cross Is Made

Peterson, William M.

• Diff’rent: Variations on a Theme

Petite, Joseph

• The Paradox of Power in More Stately Mansions

Pettegrove, James P.

• Karl Ragnar Gierow on O'Neill, October 6, 1970

• Lewis, Ward E. Eugene O'Neill: The German Reception of America's First Dramatist (review)

Pond, Gloria Dibble

• A Family Disease

Porter, Laurin R.

• Paradise Lost: The Tragic Vision of O’Neill’s Historical Cycle and Faulkner’s Yoknatapawpha Saga

• A Touch of the Poet, The Young Vic and Comedy Theatres, London, 1988 (review)

Quinby, George H.

• A Humanitarian Playwright

• O’Neill in Iran

Ratliff, Gerald Lee

• Fog: An O'Neill Theological Miscellany

Reed, Terry

• O'Neill's Nausikaa Episode

Regenbaum, Shelly

• Wrestling with God: Old Testament Themes in O'Neill's Beyond the Horizon

Reilly, Kara

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh

Robinson, James A.

• Christianity and All God's Chillun Got Wings

• Ghost Stories: Iceman's Absent Women and Mary Tyrone

Robinson, Le Roy

• John Howard Lawson's Souls: A Harbinger of Strange Interlude

Rochman, Joanne Greco

• A Moon for the Misbegotten, Hartford Stage, Hartford, Connecticut, 2006 (review)

Roessler, Norman

• Anna Christie, Arena Stage, Washington, D.C., 2005 (review)

• Desire Under the Elms, American Repertory Theater, Cambridge, MA, 2005 (review)

Rutenberg, Michael E.

• Bob Smith Ain't So Dumb: Directing The Hairy Ape

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown

Sands, Jeffrey

• Electra's First Hazel: An Interview with Mary Arbenz

Sarlós, Robert K.

• Nina Moise Directs Eugene O'Neill's The Rope

Sater, Richard Compson

• Between Men: Gay Sensibility and The Great God Brown

• Eugene O’Neill and John Ford: Their Long Voyage Home

• O’Neill’s S.S. Glencairn Cycle: Page Vs. Stage

Schinnerer, Don

• Glimpses of Bohemia: Conference Photos

Schwartz, Michael

• Interesting People on Christopher Street: The Selling of O’Neill and the Village

Shafer, Yvonne

• Ah, Wilderness!, Arena Stage, Washington, D.C., 2012 (review)

• Anna Christie, Arena Stage, Washington, D.C., 2005 (review)

• Filtering America’s Past Through Sunlight: Eugene O’Neill’s Ah, Wilderness!

• Henderson, Mary C. Theatre in America (review)

• Hughie at the Shakespeare Theatre, Washington, D.C., 2013 (review)

• In Ibsen's Back Room: Related Patterns in The Iceman Cometh and The Wild Duck

• Long Day's Journey Into Night, Plymouth Theatre, New York, New York, 2003 (review)

• Long Day's Journey Into Night, Town Hall, Provincetown, Massachusetts, 2003 (review)

• Long Day's Journey Into Night, Arena Stage, Washington, DC, 2012 (review)

• Mourning Becomes Electra, New York City Opera, Lincoln Center, New York, New York, 2004 (review)

• Parallels in the Work of Eugene O’Neill and August Wilson

• Strange Interlude, Shakespeare Theatre Company, Washington, DC, 2012 (review)

• Take Me Along, The Irish Repertory Theatre, New York, NY, 2008 (review)

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 (review)

Shaughnessy, Edward L.

• A Connecticut Yankee in the Wilderness: The Sterner Stuff of O'Neill's Comedy

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been"

• Ella O'Neill and the Imprint of Faith

• Eugene O’Neill in Ireland: An Update

• The Iceman Melteth: O'Neill's Return to Cultural Origins

• Masks in the Dramaturgy of Yeats and O'Neill

• A Meeting with the Redoubtable Jason

• O'Neill, Eugene Gladstone (1888-1953)

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”?

• O'Neill's Catholic Dilemma in Days Without End

• Questions and Answers in Hughie

Sheaffer, Louis

• Correcting Some Errors in Annals of O'Neill (Part I)

• Correcting Some Errors in Annals of O'Neill (Part II)

• O'Neill's First Wife Defamed

• Saxe Commins and The O'Neill's

• Taasinge or Tharsing?

Sipple, William L.

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night

Smith, Madeline C.

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . .

• Four Letters by Eugene O'Neill

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography

Sollars, Michael D.

• O’Neill’s Existential Man, Distinguished or Extinguished

Stoner, Lauren

• Blackface and Kabuki Theatre: The Implications of Masks in the Wooster Group’s Production of Eugene O’Neill’s The Emperor Jones

Swortzell, Lowell

• O'Neill and the Marionette: Über and Otherwise

Tamár, Esther

• Possible Sources for Two O'Neill One-Acts

Thiessen, B.

• Alone in the Dark:  Isolation in O’Neill’s Long Day’s Journey into Night

• The Inescapable Father:  O'Neill's Strange Interlude

Tuck, Susan H.

• Desire Under the Elms, Indiana Repertory Theatre, Indianapolis, 1983 (review)

• "Electricity is God Now": D. H. Lawrence and O'Neill

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill

• A Moon for the Misbegotten, Steppenwolf Theatre Company, Chicago, 1983 (review)

• O'Neill and Frank Wedekind (Part One)

• O'Neill and Frank Wekekind (Conclusion)

• White Dreams, Black Nightmares: All God's Chillun Got Wings and Light in August

Vena, Gary

• Carlotta Takes Center-Stage: A Review of My Gene

• Chipping at the Iceman: The Text and the 1946 Theatre Guild Production

• The First Man, New Vic Theatre, New York City, 1984 (review)

Viswanathan, R.

• The Jungle Books and O'Neill

• The Ship Scene in The Emperor Jones

Voelker, Paul D.

• An Agenda for O'Neill Studies

• Biography, Autobiography and Artistry in A Wife for a Life

• Conspicuous by His Absence: Eugene O'Neill and a 1987 Provincetown Conference

• Desire Under the Elms, Guthrie Theater, Minneapolis, 1980 (review)

• Floyd, Virginia. Eugene O'Neill: A World View (review)

• A Moon for the Misbegotten, Guthrie Theater, Minneapolis, 1977 (review)

• O'Neill and George Pierce Baker

• O'Neill's First Families: Warnings through The Personal Equation

• Politics, But Literature: The Example of Eugene O'Neill's Apprenticeship

• Servitude, University of Wisconsin Center-Richland, 1981 (review)

Vucenovic, Natasa

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill

Wainscott, Ronald H.

• Harnessing O'Neill's Furies: Philip Moeller Directs Dynamo

Warnsing, Andrew

• Homoeroticism Greek Style: Passion and Celibacy in O’Neill’s Iceman

Waterstradt, Jean Anne

• Another View of Ephraim Cabot: A Footnote to Desire Under the Elms

Watt, Stephen M.

• The "Formless Fear" of O'Neill's Emperor and Tennyson's King

Wertheim, Albert

• Eugene O'Neill's Days Without End and the Tradition of the Split Character in Modern American and British Drama

Westgate, J. Chris

• Stumbling Amid the Ruins: Yank’s Absurd Inheritance in The Hairy Ape

Wheeler, David

• "Here Before You...Eugene O'Neill" (play)

White, George C.

• Directing O'Neill in China

Wilkins, Frederick C.

• Ahuja, Chaman. Tragedy, Modern Temper and O'Neill (review)

• Anna Christie, Your Theatre, New Bedford, 1984 (review)

• Benchley, Robert. Benchley at the Theatre: Dramatic Criticism, 1920-1940 (review)

• Berlin, Normand. Eugene O'Neill (review)

• Berlin, Normand. The Secret Cause: A Discussion of Tragedy (review)

• Beyond the Horizon, The Berkshire Public Theatre, Pittsfield, MA, 1988 (review)

• Bloom, Harold ed. Eugene O'Neill (review)

• Bloom, Harold ed. Eugene O'Neill's "The Iceman Cometh" (review)

• Bloom, Harold ed. Eugene O'Neill's "Long Day's Journey Into Night" (review)

• Bogard, Travis ed. Eugene O'Neill: Complete Plays (review)

• Bogard, Travis and Bryer, Jackson R. ed. Eugene O'Neill, Selected Letters (review)

• Book Reviews, Long and Short (review)

• Cheuse, Alan. The Bohemians: John Reed and His Friends Who Shook the World (review)

• Commins, Dorothy. "Love and Admiration and Respect": The O'Neill-Commins Correspondence (review)

• Desire Under the Elms, Rand Theater, Amherst, 1984 (review)

• Desire Under the Elms, Roundabout Theatre Company (Stage One), New York City, 1984 (review)

• Egri, Peter. Chekhov and O'Neill: The Uses of the Short Story in Chekhov's and O'Neill's Plays (review)

• The Hairy Ape, Hopkins Center, Hanover, 1979 (review)

• The Hairy Ape, Studio Theatre Productions, New York City, 1982 (review)

• Halfmann, Ulrich ed. Eugene O'Neill: Comments on the Drama and the Theatre. A Source Book (review)

• Hirsch, Foster. Eugene O'Neill: Life, Work, and Criticism (review)

• Hughie Nattportiern (Hughie), Stockholm, Sweden, 1988 (review)

• Hughie, Provincetown Playhouse, Provincetown, 1984 (review)

• The Iceman Cometh, Trinity Square Repertory Company, Providence, 1981 (review)

• The Iceman Cometh, Lunt-Fontanne Theatre, New York, 1985 (review)

• Lang Dags Fard Mot Natt (Long Day's Journey Into Night), Kungliga Dramatiska Teatern, Stockholm, Sweden, 1988 (review)

• Lawson & Cole Revisited

• Long Day's Journey Into Night, Portland Stage Company, Portland, Maine, 1987 (review)

• Long Day's Journey Into Night and Ah, Wilderness!, Yale Repertory Theatre, New Haven, CT, 1988 (review)

• L'Etrange Intermede (Strange Interlude), National Theatre of Belgium in Brussels, 1988 (review)

• A Moon for the Misbegotten, American Repertory Theatre, Cambridge, 1983 (review)

• Mourning Becomes Electra, The Harvard-Radcliffe Summer Theatre, Loeb Drama Center, Cambridge, 1983 (review)

• Mourning Becomes Electra, Trinity Repertory Company, Providence, RI, 1987 (review)

• Mourning Becomes Electra, PlayMakers Repertory Company, University of North Carolina at Chapel Hill, 1988 (review)

• On the Shelf: New Books By and About O'Neill (Part One)

• On the Shelf: New Books By and About O'Neill (Part Two)

• Orlandello, John. O'Neill on Film (review)

• Sea Plays, Rand Theater, University of Massachusetts at Amherst, 1988 (review)

• Smith, Madeline and Eaton, Richard. Eugene O'Neill: An Annotated Bibliography (review)

• Strange Interlude, Nederlander Theatre, New York, 1985 (review)

• Strindberg and O'Neill: A Shared Legacy, Circle in the Square, New York City, 1982 (review)

• "Three Lost Plays of Eugene O'Neill," Lotus Theatre Group, Playhouse 46, New York City, 1982 (review)

• A Touch of the Poet, Yale Repertory Theatre, New Haven, 1983 (review)

• Vena, Gary. O'Neill's "The Iceman Cometh": Reconstruction the Premiere (review)

• Weathers, Winston. The Broken Word: The Communication Pathos in Modern Literature (review)

• Wellwarth, George E. Modern Drama and the Death of God (review)

Williams, Gary Jay

• Turned Down in Provincetown: O'Neill's Debut Re-Examined

Winn, Melissa Leigh

• The Concept of Self Deception in the Plays of Eugene O'Neill

Wynstra, Beth

• Reaching Beyond the Horizon: Introducing a New Generation to Eugene O’Neill at the 2009 O’Neill Studio Retreat

Young, William

• Mother and Daughter in Mourning Becomes Electra