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The Hammerman Collection includes first editions, inscribed books, and various issues of O'Neill's plays and other writings. While not all inclusive, these serve as a descriptive bibliography of the published work of Eugene Gladstone O'Neill.

Pleiades Club Year Book, New York: Pleiades Club, 1912 (April), first limited edition, #365, suede binding. Signed presentation to Robert Sisk laid in.

Thirst and Other One-Act Plays, Boston: The Gorham Press, 1914 (August 17), first edition, with dust jacket. Signed presentation copy to Robert Sisk.

Thirst and Other One-Act Plays, Boston: The Gorham Press, 1914 (August 17), first edition, with dust jacket.

The Provincetown Plays: First Series, New York: Frank Shay, 1916 (November), first edition, wrappers. Signed presentation copy to Robert Sisk.

The Provincetown Plays, Cincinnati: Stewart Kidd Company, 1921.

The Provincetown Plays: Third Series, New York: Frank Shay, 1916 (December), first edition, wrappers.

Before Breakfast, New York: Frank Shay, 1916 (December), first separate edition, wrappers. Signed presentation copy to Robert Sisk.

The Masses, 1917 (February), wrappers.

The Seven Arts, 1917 (June), wrappers. Signed presentation copy to Robert Sisk.

The Smart Set, 1917 (October), wrappers.

Ile, New York: Egmont H. Arens, (1918), first edition, wrappers.

The Smart Set, 1918 (August), wrappers.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1919 (April 23), first edition, binding A, with dust jacket.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1919 (April 23), first edition, binding A. Signed presentation copy to Robert Sisk.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1919 (April 23), first edition, binding B, with dust jacket.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1919, fifth printing (November, 1921). Signed presentation copy to Harry Wienberger.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1923, Modern Library edition, binding a.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1923, Modern Library edition, binding b.

The Moon of the Caribbees and Six Other Plays of the Sea, New York: Boni and Liveright, 1923, Modern Library edition, binding c, with dust jacket.

The Long Voyage Home, New York: Modern Library, 1940, with dust jacket. Signed presentation copy to "John".

Ile, New York: Random House, 1936/37, first acting edition, wrappers.

Where the Cross is Made, New York: Random House, 1936/37, first acting edition (first separate edition), wrappers.

The Moon of the Caribbees and Six Other Plays of the Sea, London: Jonathan Cape, 1923 (April), English first edition, with dust jacket.

The Moon of the Caribbees and Six Other Plays of the Sea, London: Jonathan Cape, 1923 (April), Australian first edition, review copy, with dust jacket.

Die Neue Rundschau, 1924 (February), wrappers.

V Ponorkovem Pasmu (In the Zone), Zatisi: Knihy Srdce i Ducha, 1925, Czech edition, wrappers.

Theatre Arts Magazine, 1920 (January), wrappers. Signed presentation copy to Robert Sisk.

Theatre Arts Magazine, New York: Theatre Arts, Inc., 1920.

Beyond the Horizon, New York: Boni and Liveright, 1920 (March 10), first edition, binding A, with dust jacket. Signed presentation copy to Robert Sisk.

Beyond the Horizon, New York: Boni and Liveright, 1920 (March 10), first edition, binding variant, with dust jacket.

Beyond the Horizon, New York: Boni and Liveright, 1920 (March 10), first edition, binding B.

Beyond the Horizon, New York: Boni and Liveright, 1922 (November), fifth printing, with dust jacket.

Beyond the Horizon and Gold, London: Jonathan Cape, 1924 (April), English first edition, with dust jacket.

Beyond the Horizon and Marco Millions, London: Jonathan Cape, 1960, with dust jacket.

Theatre Arts Magazine, 1921 (January), wrappers.

The Emperor Jones, Diff'rent, The Straw, New York: Boni and Liveright, 1921 (April 7), first trade edition. Signed presentation copy to Robert Sisk.

The Emperor Jones, Diff'rent, The Straw, New York: Boni and Liveright, 1921 (April 7), first trade edition, with dust jacket. Inscribed by Paul Robeson.

The Emperor Jones, Diff'rent, The Straw, New York: Boni and Liveright, 1921 (April 7), first trade edition. Signed presentation copy to Jo Mielziner.

The Emperor Jones, Cincinnati: Stewart Kidd Company, 1921 (July 28), first separate edition, wrappers.

The Emperor Jones, New York: D. Appleton and Company, 1924, wrappers.

The Emperor Jones, New York: Boni and Liveright, 1928 (July 21), first limited edition, signed, #245, with dust jacket and slipcase.

The Emperor Jones, The Straw, New York: Modern Library, 1928, first Modern Library edition.

The Emperor Jones, New York: D. Appleton-Century, 1934, students' edition with a study guide for the screen version.

Plays: First Series, The Straw, The Emperor Jones, and Diff'rent, London: Jonathan Cape, 1922 (May), English first edition, with dust jacket.

The Emperor Jones, London: Jonathan Cape, 1925 (September), English first separate edition, with dust jacket.

The Emperor Jones, London: Jonathan Cape, 1925 (September), English first separate edition. Inscribed by Paul Robeson.

Gold, New York: Boni and Liveright, 1921 (September 10), first edition, with dust jacket. Signed presentation copy to Robert Sisk.

Gold, New York: Boni and Liveright, 1921 (September 10), first edition, with dust jacket.

The Hairy Ape, Anna Christie, The First Man, New York: Boni and Liveright, 1922 (July 24), first trade edition, with dust jacket. Signed presentation copy to Robert Sisk.

The Hairy Ape, New York: Horace Liveright, 1929 (March), first limited edition, signed, #103, with dust jacket and slipcase.

Anna Christie, New York: Horace Liveright, 1930 (November), first limited edition, signed, #670, with dust jacket and slipcase.

Anna Christie, London: Jonathan Cape, 1923 (April), English first separate edition, wrappers.

The Hairy Ape and Other Plays, London: Jonathan Cape, 1923 (June), English first edition.

Anna Christie, Kobenhavn: P. Haase & Sons Forlag, 1924, Danish first edition, wrapper.

Der Haarige Affe (The Hairy Ape), Berlin: S. Fischer, 1924, German first edition, wrappers.

Contemporary One-Act Plays of 1921, Cincinnati: Stewart Kidd Company, 1922 (August 30), first edition.

Provincetown Playbill, season 1923-1924, No. 1.

Tre Dramer: Emperor Jones, Ludna Gorillan, Tran, Stockholm: Albert Bonniers Forlag, 1924, Swedish edition, wrappers.

The American Mercury, 1924 (February), wrappers.

All God's Chillun Got Wings and Welded, New York: Boni and Liveright, 1924 (April 17), first edition, with dust jacket. Signed presentation copy to Robert Sisk.

All God's Chillun Got Wings and Welded, New York: Boni and Liveright, 1924 (April 17), first edition, with dust jacket.

All God's Chillun Got Wings, Desire Under the Elms, and Welded,  London: Jonathan Cape, 1925 (October), English first edition, with dust jacket.

The Complete Works of Eugene O'Neill, New York: Boni and Liveright, 1924 (December 27), first limited edition, signed, #395, with slipcase, two volumes.

The Complete Works of Eugene O'Neill, New York: Boni and Liveright, 1924 (December 27), first limited edition, signed, #25, two volumes. Autograph quotation signed by O'Neill in each volume.

The Complete Works of Eugene O'Neill, New York: Boni and Liveright, 1924 (December 27), first limited edition, signed, not numbered, volume one. Inscribed by O'Neill to Agnes. From the library of Charlie and Oona O'Neill Chaplin.

Desire Under the Elms, New York: Boni and Liveright, 1925 (April 11), first separate edition, with dust jacket. Signed presentation copy to Robert Sisk.

Blodet Ropar Under Almarna, Stockholm: 1951, Swedish edition, wrappers.

Plays: Anna Christie, All God's Chillun Got Wings, Diff'rent, New York: Boni and Liveright, 1925 (July), first printing, with dust jacket.

Plays: Anna Christie, All God's Chillun Got Wings, Diff'rent, New York: Boni and Liveright, 1925 (July), first printing. Signed by O'Neill.

Plays: Beyond the Horizon, The Straw, Before Breakfast, New York: Boni and Liveright, 1925 (July), first printing, with dust jacket.

Plays: Desire Under the Elms, The Hairy Ape, Welded, New York: Boni and Liveright, 1925 (July), first printing, with dust jacket.

Plays: The Emperor Jones, Gold, The First Man, The Dreamy Kid, New York: Boni and Liveright, 1925 (July), first printing, with dust jacket.

The Great God Brown, The Fountain, The Moon of the Caribbees, and Other Plays, New York: Boni and Liveright, 1926 (March 15), first edition, with dust jacket.

The Great God Brown, The Fountain, The Moon of the Caribbees, and Other Plays, New York: Boni and Liveright, 1926 (March 15), first edition.  Signed by members of the cast of the original New York production of The Great God Brown.

The Great God Brown, Including The Fountain, The Dreamy Kid, Before Breakfast, London: Jonathan Cape, 1926 (September), English first edition, with dust jacket.

Marco Millions, New York: Boni and Liveright, 1927 (April 15), first trade edition, with dust jacket.

Marco Millions, New York: Boni and Liveright, 1927 (April 23), first limited edition, signed, #401, with slipcase.

Marco Millions, London: Jonathan Cape, 1927 (October), English first edition. Signed presentation copy to R. Fergusson Scott.

The American Caravan, New York: The Macaulay Company, 1927 (September), first edition, with dust jacket.

Lazarus Laughed, New York: Boni and Liveright, 1927 (November 11), first trade edition, with dust jacket. Signed presentation copy to Harry Hansen.

Lazarus Laughed, New York: Boni and Liveright, 1927 (November 11), first trade edition, with dust jacket.

Lazarus Laughed, New York: Boni and Liveright, 1927 (November 11), first limited edition, signed, #324, with slipcase.

Lazarus Laughed and Dynamo, London: Jonathan Cape, 1929 (November), English first edition, with dust jacket.

Lazarus Laughed, New York: Boni and Liveright, 1927 (November 11), third printing. Inscribed and signed by members of the original production.

Strange Interlude, New York: Boni and Liveright, 1928, editorial galley proofs. Numerous editorial corrections throughout

Strange Interlude, New York: Boni and Liveright, 1928 (March 3), first trade edition, with dust jacket.

Strange Interlude, New York: Boni and Liveright, 1928 (March 3), first trade edition, with dust jacket. Signed by seven members of the original cast.

Strange Interlude, New York: Boni and Liveright, 1928 (March), first limited edition, signed, #415, with slipcase.

Strange Interlude, Hamburg: The Albatross, 1933, The Albatross Modern Continental Library, volume 68.

Strange Interlude, London: Jonathan Cape, 1928 (September), English first edition.

Dynamo, New York: Horace Liveright, 1929 (October 5), first trade edition, with dust jacket.

Dynamo, New York: Horace Liveright, 1929, first limited edition, signed, #320, with slipcase.

Mourning Becomes Electra, New York: Horace Liveright, 1931, uncorrected galley proofs (2nd), wrappers, three volumes. Signed presentation copy to Robert Sisk.

Mourning Becomes Electra, New York: Horace Liveright, 1931 (November 2), first trade edition, with dust jacket.

Mourning Becomes Electra, New York: Horace Liveright, 1931 (November 2), first trade edition, with dust jacket. Signed presentation copy to May Davenport Seymour.

Mourning Becomes Electra, New York: Horace Liveright, 1931 (November), first limited edition, signed, #50, with slipcase.

Mourning Becomes Electra, New York: Horace Liveright, 1931 (November), first trade edition, sixth printing, with dust jacket. Signed presentation copy to Bernice Elliott. Signed by members of the original cast and by members of the touring company.

Mourning Becomes Electra, New York: Horace Liveright, 1931 (November), first trade edition, sixth printing, with dust jacket. Signed presentation copy to James Bosnell. Signed by members of the original cast.

Mourning Becomes Electra, London: Jonathan Cape, 1932, English first edition, with dust jacket.

Klaga Mande Elektra (Mourning Becomes Electra), Stockholm: Albert Bonniers Forlag, 1936, first Swedish edition, wrappers.

The American Spectator, 1932 (November), in original colored band. Contains "Memoranda on Masks".

The American Spectator, 1932 (November), printed on rag paper. Contains "Memoranda on Masks". Signed by O'Neill.

Nine Plays by Eugene O'Neill, New York: Liveright, 1932 (December 2), binding A, with dust jacket.

Nine Plays by Eugene O'Neill, New York: Random House, (?1936), "Nobel Prize" edition, with dust jacket.

Nine Plays by Eugene O'Neill, New York: Random House, (?1936), "Nobel Prize" edition. Signed presentation copy to Nellie Tharsing.

Nine Plays by Eugene O'Neill, New York: Random House, (?1941), Modern Library edition. Signed presentation copy to Alice O'Connell Ross.

Neuve Dramas (Nine Plays), Buenos Aires: Editorial Sudamericana, 1947, first Argentine edition, two volumes.

The American Spectator, 1932 (December), in original colored band. Contains "Second Thoughts".

Poets of New London, New London: 1933, first limited edition, #240. Contains "Ballad of the Seamy Side" and "The Call".

The American Spectator, 1933 (January), in original colored band. Contains "A Dramatist's Notebook".

Ah, Wilderness!, New York: Random House, 1933, galley proofs.

Ah, Wilderness!, New York: Random House, 1933 (October 2), first trade edition, with dust jacket.

Ah, Wilderness!, New York: Random House, 1933 (October 2), first trade edition, with dust jacket. Signed presentation copy to George Draper.

Ah, Wilderness!, New York: Random House, 1933 (October 2), first trade edition, with dust jacket. Signed presentation copy to Margaret Skinner.

Ah, Wilderness!, New York: Random House, 1933 (October 2), first limited edition, signed, #36, with slipcase.

Ah, Wilderness!, New York: Samuel French, (date undetermined), first acting edition, wrappers.

Ah, Wilderness! and Two Other Plays, New York: Random House, (?1960), Modern Library edition, with dust jacket. Inscribed by Lawrence J. McGinley.

Ah, Wilderness!, New York: Limited Editions Club, 1972, with slipcase.

Ah, Wilderness! and Days Without End, London: Jonathan Cape, 1934, English first edition, with dust jacket.

Ljuva Ungdomstid (Ah, Wilderness!), Stockholm: Albert Bonniers Forlag, 1936, Swedish edition, wrappers.

The American Spectator Year Book, New York: Frederick A. Stokes Company, 1934, first edition, with dust jacket. Contains "Memoranda on Masks".

Days Without End, New York: Random House, 1934, uncorrected galley proofs, wrappers. Holograph changes by O'Neill throughout. Signed presentation copy to Robert Sisk.

Days Without End, New York: Random House, 1934 (January 17), first trade edition, with dust jacket. Signed presentation copy to Robert Sisk.

Days Without End, New York: Random House, 1934 (January 17), first trade edition, with dust jacket. Signed presentation copy to Nellie Tharsing.

Days Without End, New York: Random House, 1934 (January 17), first limited edition, signed, #247, with slipcase. Signed presentation copy to Robert Sisk.

The Plays of Eugene O'Neill, New York: Charles Scribner's Sons, 1935 (June 28), Wilderness edition, signed, #400, with slipcases, twelve volumes.

The Plays of Eugene O'Neill, New York: Random House, 1941, with slipcase, three volumes. Signed presentation to Robert Betteucourt in each volume.

The Plays of Eugene O'Neill, New York: Random House, 1941, third printing, volume one. Signed presentation to Carlotta.

Selected Plays of Eugene O'Neill, editions for the Armed Services, Inc., 1944, wrappers. Signed presentation copy to Jane Caldwell.

The Iceman Cometh, New York: Random House, 1946, "Uncorrected proof for Advance Readers," wrappers. Signed presentation copy to Earle Larimore.

The Iceman Cometh, New York: Random House, 1946 (October 10), first edition, with dust jacket. Signed presentation copy to Carl Benton Reid. Autograph Note Signed from Carlotta tipped in.

The Iceman Cometh, New York: Random House, 1946 (October 10), first edition, with dust jacket. Signed presentation copy to Karl Nielsen. Autograph Note Signed from Carlotta tipped in.

The Iceman Cometh, New York: Random House, 1946 (October 10), first edition, with dust jacket. Signed presentation copy to Norman Unger.

The Iceman Cometh, New York: Limited Editions Club, 1982, with slipcase.

The Iceman Cometh, London: Jonathan Cape, 1947, English first edition.

Lost Plays of Eugene O'Neill, New York: New Fathoms, 1950 (May 15), first edition, binding A, with dust jacket.

Lost Plays of Eugene O'Neill, New York: New Fathoms, 1950 (May 15), first edition, binding B, with dust jacket.

A Moon for the Misbegotten, New York: Random House, 1952 (June 30), first edition, with dust jacket.

A Moon for the Misbegotten, New York: Samuel French, 1958, first acting edition, wrappers.

Long Day's Journey Into Night, New Haven: Yale University Press, 1956 (February 20), first edition, with dust jacket. Inscribed by Carlotta to Robert and Cepha Sisk.

Lang Dags Fard Mot Natt (Long Day's Journey Into Night), Stockholm: Raben & Sjogren, 1956, first Swedish edition, wrappers.

The Last Will and Testament of Silverdene Emblem O'Neill, New Haven: Yale University Press, 1956 (February 20), first edition, wrappers.

The Last Will and Testament of an Extremely Distinguished Dog, Worcester: Achille J. St. Onge, 1972.

A Touch of the Poet, New Haven: Yale University Press, 1957, galley proofs.

A Touch of the Poet, New Haven: Yale University Press, 1957 (September 18), first edition, binding A, with dust jacket.

A Touch of the Poet, New Haven: Yale University Press, 1957 (September 18), first edition, binding A. Inscribed by Carlotta to Jose Quintero.

A Touch of the Poet, New Haven: Yale University Press, 1957 (September 18), first edition, binding B, with dust jacket.

A Touch of the Poet, London: Jonathan Cape, 1957, proof copy, wrappers.

A Touch of the Poet, London: Jonathan Cape, 1957, English first edition, with dust jacket.

Hughie, New Haven: Yale University Press, 1959 (March 25), first edition, with dust jacket. Inscribed by Carlotta to Arthur Hornblow.

Hughie, New Haven: Yale University Press, 1959 (October, 1959), second printing, with dust jacket. Signed by Jason Robards and Jack Dodson.

Hughie, London: Jonathan Cape, 1962, English first edition, with dust jacket.

Inscriptions: Eugene O'Neill to Carlotta Monterey O'Neill, New Haven: Yale, 1960, first limited edition, #472, with dust jacket and slipcase.

Ten "Lost" Plays, New York: Random House, 1964, first edition, with dust jacket.

More Stately Mansions, New Haven: Yale University Press, 1964 (March 12), first edition, with dust jacket.

More Stately Mansions, New Haven: Yale University Press, 1964 (March), first edition, wrappers. Signed by Colleen Dewhurst, Arthur Hill, Ingrid Bergman, and Jose Quintero.

More Stately Mansions, London: Jonathan Cape, 1965, English first edition, with dust jacket.

More Stately Mansions, New York: Oxford University Press, 1988, first edition, with dust jacket.

Six Short Plays, New York: Vintage Books, 1965, first Vintage edition.

Nobel Prize Library: Faulkner, O'Neill, Steinbeck, New York: Alexis Gregory and CRM Publishing, 1971, first edition.

Children of the Sea and Three Other Unpublished Plays by Eugene O'Neill, Washington, D.C.: NCR, 1972 (February 29), first trade edition, with dust jacket.

Children of the Sea and Three Other Unpublished Plays by Eugene O'Neill, Washington, D.C.: NCR, 1972 (February 29), first limited edition, #36, with slipcase.

Poems, 1912-1944, New Haven: Yale University Press, 1979, "A Preliminary Edition," wrappers.

Poems, 1912-1944, Ticknor & Fields, "copyright to come", uncorrected page proof, wrappers.

Poems, 1912-1944, New Haven: Ticknor & Fields, 1980 (June 2), uncorrected proof, wrappers.

Poems, 1912-1944, New Haven: Ticknor & Fields, 1980 (June 2), first edition, with dust jacket.

The Calms of Capricorn, New Haven: Yale, 1981, first edition, wrappers, two volumes.

The Calms of Capricorn, New Haven: Ticknor & Fields, 1981, uncorrected proof, wrappers.

The Calms of Capricorn, New Haven: Ticknor & Fields, 1982, first edition, with dust jacket.

Chris Christophersen, New York: Random House, 1982 (October 16), uncorrected proofs, wrappers.

Chris Christophersen, New York: Random House, 1982 (October 16), first edition, with dust jacket.

The Unknown O'Neill, New Haven: Yale, 1988, uncorrected page proofs, wrappers.

The Unknown O'Neill, New Haven: Yale, 1988, first edition, with dust jacket.

Eugene O'Neill: The Unfinished Plays, New York: Ungar, 1988, uncorrected proof, wrappers.

Eugene O'Neill: The Unfinished Plays, New York: Continuum, 1988, first edition, with dust jacket.

Eugene O'Neill: Complete Plays, The Library of America, 1988, first edition, three volumes, with dust jackets and slipcase.


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