| 141 |
2504 |
Halliburton, Isabel. Card to
Carlotta Monterey O'Neill, enclosing brochure regarding Eugene
O'Neill (in Series II) |
1958 |
|
2505 |
Paula-Lima, Francisco Pontes de.
Letter to Carlotta Monterey O'Neill, enclosing album cover for Dancas
Gauchas (in Series II) |
n.d. |
|
2506 |
Beyond the Horizon. Contract
with American Play Company (in Series III) |
1919 Jan 14 |
|
|
Cycle plays
|
|
2507 |
(Notes on plots and characters),
holograph, in volume (in Series III) - "The Calms of
Capricorn, Act One - Scene One" |
1932-35 |
|
2508 |
"Cycle (Family Tree Maps -
Continuance of Characters Diagrams)," notes and drawings,
holograph (in Series III) |
1937 Jul |
|
2509-2510 |
"Cycle (Notes). Historical
Dates - Pertinent Facts - Etc.," notes, holograph and
typescript (in Series III) |
1937-42 |
|
2511 |
"Cycle (Expanded to Eleven
Plays). Notes & Outlines, New 1st Four Plays," holograph,
in notebook (in Series III) |
1940 Oct-Nov |
|
2512 |
"Cycle - Character
Charts," holograph (in Series III) |
n.d. |
|
2513 |
"Cycle. Technique (Schemes -
Outlines - Notes)," notes, holograph (in Series III) |
n.d. |
|
2514 |
"Career of Bessie
Bowlan."
Notes, holograph (in Series III) |
n.d. |
|
2515 |
Title pages for "Greed of the
Meek" and "And Give Me Death" and notes on scenes
and characters, holograph (in Series III) |
n.d. |
|
2516 |
"The Hair of the Dog."
Notes, holograph (in Series III) |
1937 |
|
2517 |
More Stately Mansions. Notes
and drawings, holograph (in Series III) #1
#2
#3
#4
#5 |
1935-39 |
|
2518 |
"Notes and Outlines for
Rewriting A Touch of the Poet and More Stately Mansions,"
holograph, in notebook (in Series III) |
1938-41 |
|
2519 |
A Touch of the Poet. Poster
for Belgian production (in Series III) |
(1959) Apr |
|
|
Long Day's Journey Into Night
|
| 142 |
2520-2523 |
Very early draft, holograph,
corrected (in Series III) #1
#2
#3
#4
#5
#6 |
1940 Sep 20 |
|
2524 |
Poster advertising film (2 copies)
(in Series III) |
n.d. |
|
2525-2526 |
A Moon for the Misbegotten.
Early draft, holograph, corrected (in Series III) |
1943 May 17 |
|
2527 |
Inscriptions: Eugene O'Neill to
Carlotta Monterey O'Neill. Two envelopes (titles in Carlotta
Monterey O'Neill's hand) that housed inscriptions (in Series III) |
n.d. |
|
|
O'Neill, Eugene
|
|
2528 |
American Philosophical Society.
Certificate of membership (in Series IV)
|
|
2529 |
"New York Drama Critics Circle
Award for the Best American Play, 1956-1957. Long Day's Journey
Into Night by Eugene O'Neill" (in Series IV) |
(1957) |
|
2530 |
Yale University. Honorary doctorate
(in Series IV) |
1926 |
|
2531 |
Clippings regarding portrait of
Carlotta Monterey O'Neill by Abram Poole (in Series IV) |
n.d. |
|
2532-2533 |
Programs for James O'Neill's
performances (in Series IV) |
1872-1901, n.d. |
|
|
"Monte Cristo"
- Feb 11, 1894, Stockwell's Theatre (San Francisco) |
|
|
2534 |
Casa Genotta (Sea Island, Ga.).
Legal documents and receipts regarding (in Series IV) |
1937 Dec 10 |
|
2535 |
Royalty statements for Italian
productions (in Series IV) |
1954-55 |
|
|
O'Neill, Eugene
|
| 143 |
2536 |
With Earl Stevens on boat en route
to Honduras (in Series V) |
1909 Oct 16 |
|
2537 |
With Spanish priest and Mrs. Earl
Stevens in Honduras (in Series V) |
1909 |
|
2538 |
Studio portrait by Nickolas Muray
(in Series V) |
1921 |
|
2539 |
Studio portrait by Nickolas Muray
(in Series V) |
1926 |
|
|
Eugene O'Neill at 1095 Park Avenue
(New York, N.Y.)
|
|
2540 |
Sitting in front of book case with
Blemie, close-up (in Series V) |
1931 |
|
|
Sitting in front of book case with
Blemie, further away (in Series V) |
1931 |
|
|
Standing in front of book case,
looking at camera (in Series V) |
1931 |
|
|
Standing in front of book case,
reading (in Series V) |
1931 |
|
|
Portraits by Edward Steichen of
Eugene O'Neill
|
|
2541 |
Sitting, looking at camera (in
Series V) |
(1933) |
|
2542 |
Standing in front of chair, looking
to left (in Series V) |
(1933) |
|
2543 |
Sitting with Carlotta Monterey
O'Neill, with arms over back of chair (in Series V) |
(1933) |
|
2544 |
Portrait by Carl Van Vechten of
Eugene O'Neill in pin-striped suit at Casa Genotta (Sea Island,
Ga.) (in Series V) |
1933 Sep 5 |
|
2545 |
Portrait by Carl Van Vechten of
Eugene O'Neill at 150 West 55th Street (New York, N.Y.) (in Series
V) |
1933 Oct 10 |
|
2546 |
Empty folder
|
|
|
Portraits by F. Roy Kemp of Eugene
O'Neill at 35 East 84th Street, New York
|
|
2547 |
Sitting inside (in Series V) |
1946 |
|
2548 |
Standing on balcony (in Series V) |
1946 |
|
|
O'Neill, Carlotta Monterey
|
|
2549 |
In The Hairy Ape, portrait
by Marcia Stein, close-up (in Series V) |
1922 |
|
2550 |
Wearing bridal outfit, portrait by
Nickolas Muray, side view, close-up (in Series V) |
1924 |
|
2551 |
Wearing bridal outfit, portrait by
Nickolas Muray, side view, far away (in Series V) |
1924 |
|
2552 |
Wearing long dress, with back to
camera, portrait by Nickolas Muray, (in Series V) |
1924 |
|
2553 |
Wearing black dress, sitting back
in chair, portrait by (Demeyer?) |
(192-?) |
|
|
Wearing black dress, leaning
forward in chair, portrait by (Demeyer?) |
(192-?) |
|
2554 |
Wearing black dress, leaning
forward in chair, portrait by (Demeyer?), close-up |
(192-?) |
|
|
Wearing black dress, showing
silhouette against wall, portrait by (Demeyer?) |
(192-?) |
|
2555 |
Wearing white dress, sitting back
in chair, portrait by (Demeyer?) |
(192-?) |
| 144 |
2556 |
Portfolio of fourteen portraits by
Maurice Goldberg (in Series V) |
(192-) |
|
2557 |
Portrait by Marcia Stein, looking
right, close-up (in Series V) |
(192-) |
|
2558 |
Portrait by Jean de Strelecki, (in
production?), lying near candle and picture of madonna and child
(in Series V)
|
|
2559 |
Photograph by Peter A. Juley &
Son of painting by Giulio de Blois (in Series V) |
1927 |
|
2560 |
Sitting, from right, with eyes
open, portrait by Edward Steichen (in Series V) |
(1933) |
|
2561 |
Sitting, from right, with eyes
closed, portrait by Edward Steichen (in Series V) |
(1933) |
|
2562 |
Oona Chaplin, wearing costume
outfit, sitting on wall in Bermuda Islands (in Series V)
|
|
2563 |
Group portrait by Fabian Bachrach
of (law firm?) (in Series V) |
(195-?) |
|
2564 |
Portrait of man wearing military
uniform, close-up (in Series V) |
(196-?) |
|
|
Tao House (Danville, Calif.). Views
by Ray Moulin
|
|
2565 |
Front of house, looking up hill (2
versions) (in Series V) |
1939 May 23 |
|
2566 |
Back of house, looking down hill
(in Series V) |
1939 May 23 |
|
2567 |
Back of house, in yard (in Series
V) |
1939 May 23 |
|
2568 |
Driveway, looking toward back of
house, close-up (in Series V) |
1939 May 23 |
|
2569 |
Driveway, looking toward back of
house, further away (in Series V) |
1939 May 23 |
|
2570 |
Living room (in Series V) |
1939 May 24 |
|
|
Ah, Wilderness!
|
| 145 |
2571 |
Royal Theatre (Copenhagen,
Denmark). One shot by H. J. Mydtskov (in Series V) |
n.d. |
|
2572 |
Westminster Theatre (London,
England). Six shots (in Series V) #1
#2
#3 |
n.d. |
|
2573 |
Dublin (Ireland). Six shots (in
Series V) |
n.d. |
|
2574 |
Anna Christie at Vanderbilt
Theatre (New York, N.Y.). Seven shots by Abbe Studio (New York,
N.Y.) (in Series V) #1
#2
|
|
2575 |
(Beyond the Horizon?).
Unidentified production. Two shots by Stage Photo Company (London,
England) (in Series V) |
n.d. |
|
2576 |
Cycle plays. More Stately
Mansions. Dramatiska teatern (Stockholm, Sweden). One shot by
Beata Bergstroem (in Series V)
|
|
|
Desire Under the Elms
|
|
2577 |
(Dramatiska teatern (Stockholm,
Sweden)?). One shot (in Series V) |
(192-?) |
|
2578 |
Gate Theatre (London, England).
Seventeen shots on two posters (in Series V) |
1931 Feb 24 |
|
2579-2582 |
The Emperor Jones. Puppet
production. Nine shots by Helen Liebman (in Series V) #1
#2
#3
#4
#5
|
|
2583-2584 |
The Hairy Ape. Plymouth
Theatre (New York, N.Y.). Ten shots by Abbe Studio (New York,
N.Y.) (in Series V) #1
#2
#3 |
1922 |
|
2585 |
The Iceman Cometh. Copenhagen
(Denmark). One shot by H. J. Mydtskov (in Series V) |
n.d. |
|
2586 |
Ile. Japan, translated and
directed by Kihachi Kitamura. Two shots (in Series V) |
n.d. |
| 146 |
2587 |
Long Day's Journey Into Night.
Eleven motion picture stills by Dennis Stock (in Series V) |
(1962) |
|
2588 |
The Long Voyage Home. Japan.
Two shots (in Series V) |
n.d. |
|
|
A Moon for the Misbegotten
|
|
2589 |
Genova (Italy). One shot by Foto
Leoni; one shot by Scalfati-Pisoni; one shot by unidentified (in
Series V) |
(1958) |
|
2590 |
Copenhagen (Denmark). Two shots by
H. J. Mydtskov (in Series V) |
n.d. |
|
|
Mourning Becomes Electra
|
|
2591-2593 |
Photographs of seventeen drawings
by Albert M. Pyke of scenes in motion picture by Dudley Nichols
(in Series V) |
(1947) |
|
2594-2597 |
Frankfurt am Main (Germany).
Twenty-two shots by Willi Klar (in Series V) |
(1947) |
|
2598-2599 |
Lisbon (Portugal). Fifteen shots by
Horacio Novaes (in Series V) |
n.d. |
|
2600 |
Unidentified play. Unidentified
production. Three shots by Stage Photo Company (London, England)
(in Series V) |
n.d. |
|
2601 |
Unidentified play. Unidentified
production. One shot by Stage Photo Company (London, England) (in
Series V) |
n.d. |
| 147 |
2602 |
Baldridge, Cyrus Leroy.
"Eugene O'Neill," etching (in Series VII) |
1930 |
|
|
Frueh, Alfred Joseph
|
|
2603 |
(Carlotta Monterey O'Neill), pen
and ink drawing (in Series VII) |
n.d. |
|
2604 |
(Man painting three bottles while
nude model reads newspaper), pen and ink and watercolor (in Series
VII) |
1955 Feb 26 |
|
2605 |
Hirschfeld, Al. "Impressions
of the Play of the Week," six prints, in portfolio (in Series
VII) |
n.d. |
|
2606 |
Jones, Robert Edmond. Mannon house
in Mourning Becomes Electra, watercolor drawing (in Series
VII) |
n.d. |
|
|
Lewis, Martin
|
|
2607 |
"Trees at Gotemba,"
etching (in Series VII) |
n.d. |
|
2608 |
"Wind and Rain," etching
(in Series VII) |
n.d. |
|
2609 |
Toulouse-Lautrec, Henri de. (Woman
with long black gloves), print (in Series VII)
|
|
2610 |
Desire Under the Elms. Ink
drawing by unidentified artist, possibly for advertisement (in
Series VII) |
n.d. |
|
2611 |
(Scene in China with two men on
bridge, one leading a cow), watercolor by unidentified artist (in
Series VII) |
n.d. |
|
|
Motion picture by RKO Radio
Pictures, directed by Dudley Nichols (in Series V)
|
| 148 |
2612 |
Reel 1 |
1947 |
| 149 |
2613 |
Reel 2 |
1947 |
| 150 |
2614 |
Reel 3 |
1947 |
| 151 |
2615 |
All God's Chillun Got Wings.
Posters (4) for Dramatiska teatern (Stockholm, Sweden) production
(in Series III) |
1945 |
|
|
The Iceman Cometh
|
|
2616-2620 |
Clippings, notes, and watercolor
drawings of costumes for Theatre Guild production (in Series III) |
1946 |
|
2621 |
The American Spectator. Vol.
I, No. 4; Vol. I, No. 5; Vol. I, No. 7; Vol. I, No. 8 (in Series
III) |
1933 Feb-Jun |
|
|
O'Neill, Eugene
|
|
2622 |
Pulitzer Prize for Beyond the
Horizon (in Series VI) |
1920 Jun 2 |
|
2623 |
Pulitzer Prize for Anna Christie
(in Series IV) |
1922 Jun 7 |
|
2624 |
Pulitzer Prize for Strange
Interlude (in Series IV) |
1922 Jun 7 |
|
2625 |
Three programs for James O'Neill's
performances (in Series IV) |
1874, n.d. |
|
|
O'Neill, Eugene
|
| 152 |
2626 |
Studio portrait by (de Meyer?),
sitting at table, looking at camera (in Series V) |
(1929 Jul?) |
|
2627 |
Sitting at desk at Tao House
(Danville, Calif.), close-up, portrait by Horace Bristol (in
Series V) |
1939 |
|
2628 |
Close-up, head only, portrait by
Horace Bristol (in Series V) |
1939 |
|
2629 |
Group picture at dinner for Robert
Edmond Jones at Coffee House Club (in Series V) |
1947 Dec 18 |
|
2630 |
Portrait by Albin of Carlotta
Monterey O'Neill, wearing shawl (in Series V) |
1925 |
|
2631-2632 |
Sao Paulo (Brazil) exhibition on
Eugene O'Neill (4 views) (in Series V) |
(1959) |
|
2633 |
Days Without End. Theatre
Guild at Henry Miller Theatre (New York, N.Y.). One shot by
Vandamm Studio (New York, N.Y.) (in Series V) |
(1934) |
|
2634 |
Mourning Becomes Electra.
Theatre Guild. One shot by Vandamm Studio (New York, N.Y.) (in
Series V) |
1931 Oct 26 |
|
2635 |
Decatur, Henry R. (Architectural
drawing for Eugene O'Neill's headstone), negative photostat (in
Series VII) |
1953 |
|
2636 |
Stobbe, ----. (Portrait of Eugene
O'Neill), charcoal drawing (in Series VII)
|
|
2637 |
Long Day's Journey Into Night.
Watercolor drawing of set by unidentified artist (in Series VII) |
n.d. |
|
2638 |
(Man sitting near book case),
etching by unidentified artist (in Series VII) |
n.d. |
| Bsd |
2639 |
Desire Under the Elms.
Poster for Toneeloroep Theater (Amsterdam, Netherlands) production
(in Series III) |
1965 |
|
|
The Iceman Cometh
|
| Bsd |
2640 |
Poster for Genova (Italy)
production (2 copies) (in Series III) |
(1965?) |
| Bsd |
2641 |
Poster for National Theatre (Great
Britain) production in Cottesloe Theatre (in Series III) |
n.d. |
|
|
Jones, Robert Edmond
|
| Bsd |
2642 |
(Back room and section of bar in The
Iceman Cometh), pen and ink and watercolor drawing (in Series
VII) |
(1946) |
| Bsd |
2643 |
(Bar and section of the back room
in The Iceman Cometh), pen and ink and watercolor drawing
(in Series VII) |
(1946) |
| Box |
Folder |
|
Date |
