Long Day’s Journey Into Night

King, William D., ed. Long Day’s Journey Into Night. New Haven, CT: Yale UP, 2014. 263 pp
 

Bloom 2:  Bloom, Harold, ed. Eugene O’Neill’s Long Day’s Journey Into Night. NY: Bloom’s Literary Criticism, 2009. 239 pp (reprinted essays)
 

Abbott, Anthony S. The vital lie: reality and illusion in  modern drama. Tuscaloosa: Univ. of Alabama Pr., 1989, 113-28 (124-28 on the play)

Adam, Julie. Versions of heroism in modern American drama: redefinitions by Miller, Williams, O’Neill and Anderson. NY: St. Martin’s Pr., 1991, 126-36

Adler, Stella. Stella Adler on America’s master playwrights. . . . NY: Knopf, 2012, 61-80

Adler, Thomas P. American drama, 1940-1960: a critical history. NY: Twayne, 1994, 21-42: ‘Eugene O’Neill: “faithful realism” with a poet’s touch’ (32-37 on the play)

-----. ‘“Daddy spoke to me!”: gods lost and found in Long Day’s Journey Into Night and [Bergman’s] Through a Glass Darkly.’ Comparative Drama 20 1986-87 341-48 [S5]; repr. on pp 161-68 in Stroupe

Ahrends, Günter. Traumwelt und Wirklichkeit im Spätwerk Eugene O’Neills. Heidelberg: Winter, 1978, 135-74

Ahuja, Chaman. Tragedy, modern temper and O’Neill. NY: Macmillan, 1984, 154-62

Arns, Heriberto. ‘A religiosidade de Eugene O’Neill.’ Letras (Curitiba) 16 1968 45-57

Ardolino, Frank. ‘Irish myth and legend in Long Day’s Journey Into Night and A Moon for the Misbegotten.’ Eugene O’Neill Review 22 1998 63-69 [S6]

Astington, John H. ‘Shakespeherian rags.’ Modern Drama 31 1988 73-80 [S7]

Astrom, K. E. ‘Eugene O’Neills Long Day’s Journey Into Night.’ Lakartidningen 99 2002 4181-84 (in Swedish)

Babaee, Ruzbeh. ‘Long Day’s Journey Into Night: a journey into revelation.’ Uluslararasi Sosyal Arastirmalar / Journal of International Social Research 4 #19 2011 7-14

Barlow, Judith E. Final acts: the creation of three late O’Neill plays. Athens: Univ. of Georgia Pr., 1985, 63-111: ‘Long Day’s Journey Into Night’ (incorporates ‘Long Day’s Journey Into Night: from  early notes to finished play.’ Modern Drama 22 1979 19-28 [S7])

-----. ‘Mother, wife, friend, and collaborator: Carlotta Monterey and Long Day’s Journey Into Night.’ Pp 123-31 in Maufort [S76]

Bécsy, Tamás. A drámamodellek és a mai dráma. Budapest: Akadémiai, 1974, 294-300

Bennett, Michael Y. ‘Family dynamics in O’Neill’s drama: the diseased body in Long Day’s Journey Into Night.’ Pp 189-204 in Bloom 3

Berlin, Normand. Eugene O’Neill. London: Macmillan, 1982, 1-24: ‘Long Day’s Journey Into Night’

-----. ‘Traffic of our stage:  Long Day’s Journey Into Night.’ Massachusetts Review 45 2004 144-54 (analysis of the 2003 production)

-----. O’Neill’s Shakespeare. Ann Arbor: Univ. of Michigan Pr., 1993, 187-224 (incorporates

‘Ghosts of the past: O’Neill and Hamlet.’ Massachusetts Review 20 1979 312-23 [S8]

Bermel, Albert. Contradictory characters: an interpretation of modern theatre. NY: Dutton, 1973, 105-21: ‘The family as villain: Long Day’s Journey Into Night’ [S77]

-----. ‘Poetry and mysticism  in O’Neill.’ Pp 245-51 in Floyd [S78]

Bernstein, Samuel J. ‘Eugene O’Neill’s Long Day’s Journey into Night and Arthur Miller’s Death of a Salesman: the magic informing both plays.’ Arthur Miller Journal 8 i 2013 33-52

Bigsby, C. W. E. A  critical introduction  to twentieth-century American drama, I: 1900-1940. Cambridge: Cambridge UP, 1982, 97-102

Black, Stephen  A. Eugene O’Neill: beyond  mourning and tragedy. New Haven, CT: Yale UP, 2000, 438-47 and see index

-----. ‘Eugene O’Neill in mourning.’ Biography 11 1988 16-34; repr. with added notes in Eugene O’Neill Review 18 1994 171-88 [S10]

-----. ‘O’Neill’s dramatic process.’ American Literature  59 1987 58-70 [S10]; ‘The war among the Tyrones.’ Eugene O’Neill Newsletter 11 ii 1987 29-31 [S10] (both treat ‘symphonic’ effects of the play)

-----. ‘Reality and its vicissitudes: the problem of understanding in Long Day’s Journey Into Night.’ Eugene O’Neill Review 16 ii 1992 57-72 [S10]

Bliss, Matt. ‘“So happy for a time”: a cultural poetics of Eugene O’Neill’s Long Day’s Journey Into Night.’ American Drama 7 i 1997 1-17 [S11]

Bloom, Steven F. ‘Empty bottles, empty dreams: O’Neill’s use of drinking and alcoholism  in Long Day’s Journey Into Night.’ Pp 159-77 in Martine [S80]

-----. ‘“The mad scene: enter Ophelia!”: O’Neill’s use of the delayed entrance in Long Day’s Journey Into Night.’ Eugene O’Neill Review 26 2004 226-38

Bobin, Joanna. ‘Psychological distance in father-son conflicts presented in 20th century American drama.’ Pp 136-45 in Andrzej Ciuk & Katarzyna Molek-Kozakowska, eds. Exploring space: spatial notions in cultural, literary and language studies, II: Space in language studies. Newcastle: Cambridge Scholars, 2010

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 427-51

Bowling, Charis C. ‘The touch of poetry: a study of the role of poetry in three O’Neill plays.’ CLA Journal 12 1968 43-55 [M164]

Brashear, William  R. The gorgon’s head: a study in tragedy and despair. Athens: Univ. of Georgia Pr., 1977, 88-103: ‘The play as will and idea: Shaw and O’Neill’

Brewer, Mary F. ‘Sidney Lumet’s family epic: re-imagining Long Day’s Journey Into Night.’ Pp. 167-86 in William R. Bray & R. Barton Palmer, eds. Modern American Drama on screen, NY: Cambridge UP, 2013

Brietzke, Zander. The aesthetics of failure: dynamic structure in the plays of Eugene O’Neill. Jefferson, NC: McFarland, 2001, 144-63

-----. ‘Too close for comfort: biographical truth in Long Day’s Journey Into Night.’ Eugene O’Neill Review 25 2001 24-36

Brumm, Ursula. ‘Eugene O’Neills Familiendrama Long Day’s Journey Into Night.’ Pp 275-85 in Theodor Wolpers, ed. Familienbildung als Schicksal: Wandlungen eines Motivbereichs in der neuen Literatur. Göttingen: Vandenhoeck & Ruprecht, 1996 (Abhandlungen der Akademie der Wissenschaften zu Göttingen: Philologisch-Historische Klasse 3 1996 275-85)

Brustein, Robert. The theatre of revolt. Boston: Little, Brown, 1964, 348-58

Bryer, Jackson R. ‘Hell is other people: Long Day’s Journey Into Night.’ Pp 261-70 in Warren French, ed. The fifties: fiction, poetry, drama. Deland, FL: Everett / Edwards, 1970 [M376]

Butz, Adriana D. ‘O’Neill’s Long Day’s Journey Into Night on the Romanian stage: valorizing the performance potential in production history.’ Testi e Linguaggi 7 2013 165-77

Cardullo, Bert. ‘Dreams of journey.’ Eugene O’Neill Review 18 1994 132-34; also in Moderna Språk 89 i 1995 30-32, Notes on Contemporary Literature 26 i 1996 3-5 [all S14], and English Language Notes 34 1996 86-89

-----. ‘Parallelism  and divergence: the case of She Stoops to Conquer and Long Day’s Journey Into Night.’ Eugene O’Neill Newsletter 9 ii 1985 31-34 [S14]

Carpenter, Frederick I. Eugene O’Neill. Rev. ed. Boston: Twayne, 1979, 19-24, 154-59 and see index

Casper, Vivian. ‘Thomas Wolfe and Eugene O’Neill: intertextual inferences.’ Eugene O’Neill Review 35 2014 (the play and Look Homeward, Angel)

-----. ‘The “veil,” Neoplatonism, and genre in Long Day’s Journey Into Night.’ Eugene O’Neill Review 29 2007 73-110

Cerf, Walter. ‘Psychoanalysis and the realistic drama.’ Journal of Aesthetics and Art Criticism 16 1958 328-36 [M168] (the play and Laurents’s A Clearing in the Woods)

Chabrowe, Leonard. Ritual and pathos: the theater of Eugene O’Neill. Lewisburg, PA: Bucknell UP, 1976, 169-87

Chatterji, Ruby. ‘Existentialist approach to modern American drama.’ Pp 83-92 in Chatterji, ed. Existentialism  in American literature. Atlantic Highlands, NJ: Humanities Pr., 1983 [S83] (on the play and The Iceman Cometh)

Chiaromonte, Nicola. ‘Eugene O’Neill (1958).’ Sewanee Review 68 1960 494-501 [M169] (494-97 on the play)

Chothia, Jean. Forging a language: a study of the plays of Eugene O’Neill. Cambridge: Cambridge UP, 1979, 143-84: ‘Significant form: Long Day’s Journey Into Night’

-----. ‘“Native eloquence”: multiple voices in Long Day’s Journey Into Night.’ Eugene O’Neill Newsletter 12 iii 1988 24-28 [S15]

-----. ‘Register and idiolect in The Iceman Cometh and Long Day’s Journey Into Night.’ Pp 157-63 in Liu [S84]

-----. ‘Trying to write the family play: autobiography and the dramatic imagination.’ Pp 192-205 in Manheim [S84]

Clurman, Harold. On directing. NY: Macmillan, 1972, 254-59: ‘Director’s notes for Long Day’s Journey Into Night’

Cohn, Ruby. Dialogue in American drama. Bloomington: Indiana UP, 1971, 8-67: ‘The wet sponge of Eugene O’Neill’ (54-60 on the play)

Combs, Robert. ‘Bohemians on the bookcase: quotations in Long Day’s Journey Into Night and Ah, Wilderness!.’ Eugene O’Neill Review 33 2012 1-13

-----. ‘Living in the present: Pinter and O’Neill, parallels and affinities.’ Pinter Review 2000 115-21

Cordaro, Joseph. ‘Long day’s journey into Frankenstein.’ EOR 18 1994 116-28 [S17]

Costello, Donald P. ‘Sidney Lumet’s Long Day’s Journey Into Night.’ Literature / Film Quarterly 22 ii 1994 78-92 [S17]

Coy, Juan J. Complicidad e inocencia  en la literatura norteamericana. Salamanca: Almar, 1980, 65-90: ‘Eugene O’Neill: la complicidad ética’

Cronin, Harry C. Eugene O’Neill, Irish and American: a study in  cultural context. NY: Arno, 1976, 106-13

D’Andrea, Paul. ‘“Thou starre of poets”: Shakespeare as DNA.’ Pp 163-91 in G. B. Evans, ed. Shakespeare: aspects of influence. Cambridge, MA: Harvard UP, 1976 [S86] (179-91 on the play)

Davis, Walter A. Get the guests: psychoanalysis, modern American drama, and the audience. Madison: Univ. of Wisconsin Pr., 1994, 147-208: ‘Drug of choice: Long Day’s Journey Into Night’ [S86]

Dawes, James R. ‘Drama and ethics, grief and privacy: the case of Eugene O’Neill.’ Eugene O’Neill Review 17 1993 83-92 [S18]

Digeser, Andreas. ‘Dialogstrukturen in Eugene O’Neills Long Day’s Journey Into Night.’ Pp 119-38 in Halfmann

Donoghue, Denis. The ordinary universe: soundings in modern literature. NY: Macmillan, 1968, 146-68: ‘The Old Drama and the New’ (compares Long Day’s Journey—‘Old Drama’—and Georg Büchner’s Danton’s Death [1835]—‘New’)

Dowling, Robert M. ‘Eugene O’Neill’s Exorcism: the lost prequel to Long Day’s Journey Into Night.’ Eugene O’Neill Review 34 2013 1-12

Downer, Alan. ‘Tragedy and “the pursuit of happiness”: Long Day’s Journey Into Night.’ Jahrbüch für Amerikastudien 6 1961 114-21

Driver, Tom  F. ‘On the late plays of Eugene O’Neill.’ Tulane Drama Review 3 ii 1958 8-20 [M175]; repr. on pp 110-23 in Gassner

Drucker, Trudy. ‘The return of O’Neill’s “play of old sorrow.”’ Eugene O’Neill Newsletter 10 iii 1986 21-23 [S19]

Dugan, Lawrence. ‘The Tyrone anthology: authority in the last act of Long Day’s Journey Into Night.’ Comparative Drama 37 2003-04 379-95; repr. on pp 163-78 in Bloom 2

Dumur, G. ‘À propos de Long Day’s Journey Into Night.’ Théâtre Populaire 25 1957 101-05

Egri, Péter. The birth of American tragedy. Budapest: Tankönyvkiadó, 1988, 154-81: ‘Alienation and tragedy. Summary and synthesis: the fusion of the epic, lyric and tragic: Long Day’s Journey Into Night’

-----. Chekhov and O’Neill: the uses of the short story in Chekhov’s and O’Neill’s plays. Budapest: Akadémiai, 1986, 118-56: ‘Conclusion: Chekhov and O’Neill. O’Neill, Long Day’s Journey Into Night’ (from ‘Csehov és O’Neill: Eugene O’Neill: Utazás az éjszakába.’ Filológiai Közlöny 24 1978 231-35 and ‘The reinterpretation of the Chekhovian mosaic design in O’Neill’s Long Day’s Journey Into Night.’ Acta Litteraria Academiae Scientiarum Hungaricae 22 1980 29-71 [S20])

-----. ‘The dramatic role of the fog / foghorn leitmotif in Eugene O’Neill’s Long Day’s Journey Into Night.’ Amerikastudien 27 1982 445-55 [S21]

-----. ‘The merger of the dramatic and the lyric in Chekhov’s The Sea-Gull and O’Neill’s Long Day’s Journey Into Night.’ Annales, Universitatis Scientiarum Budapestinensis de Rolando Eötvös Nominatae: Sectio Philologica Moderna 12 1981 65-86 [S21]

Einenkel, Robert. ‘The curse of the chameleon: a comparison between Brutus Jones and James Tyrone.’ Eugene O’Neill Review 33 2012 110-14

-----. ‘Long day’s journey toward separation: the Mary-Edmund struggle.’ Eugene O’Neill Newsletter 9 i 1985 14-23 [S22]

Eisen, Kurt. The inner strength of opposites: O’Neill’s novelistic drama and  the melodramatic imagination. Athens: Univ. of Georgia Pr., 1994, 124-53: ‘The spare room: Long Day’s Journey Into Night’; repr. on pp 85-112 in Bloom 2

Engel, Edwin A. ‘Eugene O’Neill’s Long Day’s Journey Into Night.’ Michigan Alumnus Quarterly Review 63 1957 348-54

Falk, Doris V. Eugene O’Neill and the tragic tension: an interpretive study of the plays. NY: Gordian Pr., 1958, 179-95

Fifer, Elizabeth. ‘Memory and guilt: parenting in Tracy Letts’s August: Osage County and Eugene O’Neill’s Long Day’s Journey Into Night.’ Eugene O’Neill Review 34 2013 183-97

Filipowicz-Findlay, Halina. Eugene O’Neill. Warsaw: Wiedza Powszechna, 1975, 266-74

Finkelstein, Sidney. ‘O’Neill’s Long Day’s Journey.’ Mainstream 16 iv 1963 47-51 [M376]

Flèche, Anne. Mimetic disillusion: Eugene O’Neill, Tennessee Williams, and U. S. dramatic realism. Tuscaloosa: Univ. of Alabama Pr., 1997, 25-42: ‘Long Day’s Journey Into Night: the seen and the unseen’ [S91]; repr. on pp 127-42 in Bloom 2

-----. ‘“A monster of perfection”: O’Neill’s “Stella.”’ Pp 25-36 in June Schleuter, ed. Feminist rereadings of modern American drama. Rutherford, NJ: Fairleigh Dickinson UP, 1989 [S91]

Fleisher, Frederic. ‘Eugene O’Neill and 1912.’ Moderna Språk 53 1959 232-40 (237-40 on the play)

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 532-54 and see index

Forseth, Roger. ‘Denial as tragedy: the dynamics of addiction in O’Neill’s The Iceman Cometh and Long Day’s Journey Into Night.’ Dionysos 1 ii 1989 3-18 [S25]

Frank, Glenda. ‘Fractured comedy: a glimpse into Eugene O’Neill’s tragic constructs.’ Eugene O’Neill Review 27 2005 135-51 (stresses this play [138-42], A Touch of the Poet, and The Iceman Cometh)

-----. ‘Fun house mirrors: the Neil Simon-Eugene O’Neill dialogue.’ Pp 109-26 in Gary Konas, ed. Neil Simon: a casebook. NY: Garland, 1997

Freedman, Morris. American drama in social context. Carbondale: Southern Illinois UP, 1971, 15-28: ‘O’Neill’s moral energy’ [M119] (part from ‘O’Neill and contemporary drama.’ College English 23 1962 570-74 [M181])

Furomoto, Toshi. ‘Problems of Irish immigrants in Eugene O’Neill’s Long Day’s Journey Into Night.’ Pp 261-64 in Giuseppe Serpillo & Donatella A. Badin, eds. The classical world and the Mediterranean. Cagliari: Università di Sassari / Tema, 1996 [S94]

Garvey, Sheila H. ‘Desecrating an idol: Long Day’s Journey Into Night as directed by José Quintero and Jonathan Miller.’ Recorder 3 i 1989 73-85 [S27]

-----. ‘The origins of the O’Neill renaissance: a history of the 1956 productions of The Iceman Cometh and Long Days’s Journey Into Night.’ Theatre Survey 29 1988 51-68 [S27]

Garzilli, Enrico F. ‘Long Day’s Journey Into Night (Mary) and Streetcar Named Desire (Blanche): an inquiry in compassion.’ Theatre Annual 33 1977 7-23 [S27]

Gillespie, Michael. ‘Eugene O’Neill: the theatrical quest.’ Claudel Studies 9 1982 43-51 [S29]

Golden, Joseph. The death of Tinker Bell: the American theatre in the 20^th century. Syracuse: Syracuse UP, 1967, 30-51: ‘O’Neill and the passing of pleasure’ (40-51 on the play)

Golub, Spencer. ‘O’Neill and the poetics of modernist strangeness.’ Pp 17-39 in Moorton [S96]

Gonzales, José B. ‘Homecoming: O’Neill’s New London in Long Days’s Journey Into Night.’ New England Quarterly 66 1993 450-57 [S29]

Goyal, Bhagwat S. The strategy of survival: human  significance of O’Neill’s plays. Ghaziabad: Vimal, 1975, 135-37, 201-06

Gray, Jason. ‘Eugene O’Neill’s Long Days’s Journey Into Night.’ Pp 109-24 in Jay Parini, ed. American  writers classics, I. NY: Thomson Gale, 2003

Grimm, Reinhold. ‘A note on O’Neill, Nietzsche and naturalism: Long Days’s Journey Into Night in European perspective.’ Modern Drama 26 1983 331-34 [S30]; ‘O’Neills Aufhebung der europäischen Moderne: Naturalismus und Nietzscheanismus in Long Days’s Journey Into Night.’ Pp 252-58 in Hans D. Irmscher & Werner Keller, eds. Drama und Theater im 20. Jahrhundert: Festschrift für Walter Hinck. Göttingen: Vandenhoeck & Ruprecht, 1983

Hadomi, Leah. The homecoming theme in  modern drama. Lewiston, NY: Edwin Mellen Pr., 1992, 5-48 [S97]

Hall, Ann C. “A Kind of Alaska”: women in the plays of O’Neill, Pinter, and Shepard. Carbondale: Southern Illinois UP, 1993, 17-53: ‘“What is a man without a good woman’s love?”: O’Neill’s madonnas’ [S98] (35-46 on the play)

Hall, Lisa. ‘“She watches us watching her”: the theatre of maternity and the performance of maternal failure in O’Neill’s Long Days’s Journey Into Night.’ Pp 157-69 in Beth Osnes & Anna Andes, eds. Essays and scripts on how mothers are portrayed in the theatre: a neglected frontier of feminist scholarship. Lewiston, NY: Edwin Mellen Pr., 2010

Hart, Doris. ‘Whose play is this, anyway? Interpreting Mary and James Tyrone.’ Recorder 3 i 1989 115-22 [S31]

Hermann, István. A személyiség nyomában: drámai kalauz. Budapest: MagvetÅ, 1972, 474-83: ‘Edmund, a halál rokona: O’Neill, Utazás az éjszakába’

Herron, Ima H. The small town in American drama. Dallas, TX: Southern Methodist UP, 1968, 272-337: ‘O’Neill’s lost townsmen’ (329-37 on the play)

Hill, Philip G. ‘A new look at Mary Cavan Tyrone.’ Southern Theatre 21 i 1977 11-17 [S32]

Hinden, Michael. Long Day’s Journey Into Night: native eloquence. Boston: Twayne, 1990. 130 pp [S99]

-----. ‘Missing lines in Long Days’s Journey Into Night.’ Modern Drama 32 1989 178-82 [S33]

-----. ‘O’Neill and Jamie: a survivor’s tale.’ Comparative Drama 35 2001-02 435-45

-----. ‘The pharmacology of Long Days’s Journey Into Night.’ Eugene O’Neill Review 14 1990 47-51 [S33]

Hirsh, James. ‘Covert appropriations of Shakespeare: three case studies.’ Papers on Language and Literature 43 2007 45-67 (59-63 on the play)

Jones, Edward T. ‘The Tyrones as TV family: O’Neill’s Long Days’s Journey Into Night, primetime.’ Literature / Film Quarterly 22 ii 1994 93-97 [S36]

Jordt, Heinrich. ‘Sucht und Charakter.’ Jahrbuch der Wittheit zu Bremen 18 1974 169-88 (stresses the play)

Karim, Asim. ‘Trauma of subjective memory in Strange Interlude and Long Day’s Journey Into Night.’ Asian Social Science 6 ix 2010 156-67

-----, & Nasim Riaz Butt. ‘Religion and human behavior in Eugene O’Neill’s plays.’ Studies in Literature and Language 3 i 2011 68-76 (on Mourning Becomes Electra and the play)

-----, & Nasim Riaz Butt. ‘Creativity, psychoanalysis and Eugene O’Neill’s creative process.’ k@ta 13 2011 236-48 (part on the play)

Kaufman, R. J. ‘On the supersession of the modern classic style.’ Modern Drama 2 1960 358-69 [M372]

Kennedy, Andrew K. Dramatic dialogue: the duologue of personal encounter. Cambridge: Cambridge UP, 1983, 180-93 [S102] (on the play and Hughie)

Kerr, Christine. ‘Eugene O’Neill: an American playwright’s contribution to family therapy.’ Arts in Psychotherapy 27 2000 115-22

Ki, Wing-chi. ‘The s(ub)lime symptom and O’Neill’s Long Day’s Journey Into Night.’ Journal of Dramatic Theory and Criticism 20 ii 2006 5-23; repr. on pp 203-21 in Bloom 2

King, William D. ‘Carlotta Monterey O’Neill’s ‘Memorial for Gene’: releasing Long Day’s Journey Into Night.’ Eugene O’Neill Review 35 2014 185-246 (draws heavily on Carlotta’s diaries)

Kobernick, Mark. Semiotics of the drama and the style of Eugene O’Neill. Amsterdam: Benjamins, 1989, 75-78: ‘Concluding discussion of Long Day’s Journey Into Night’; see also pp 141-42

Köhler, Klaus. Eugene O’Neill’s antiheroes and their major precursors from late nineteenth to early twentieth century European drama. Dresden: Progressmedia, 2003, 100-106

Kónya, Judit. ‘Eugene O’Neill: Utazás az éjszakába.’ Pp 240-52 in Géza Hegedüs & Kónya, eds. Kalandozás a dramaturgia  világában. Budapest: Gondolat, 1973

Lang, William  A. ‘Power in the theatre: O’Neill’s Long Day’s Journey Into Night.’ Lubelskie Materialy Neofililogiczne 19 1994 91-95 [S38]

Lange, Wigand. Theater in Deutschland nach 1945: zur Theaterpolitik der amerikanischen Besatzungsbehorden. Frankfurt: Lang, 1980, 363-68, 446-56

Lawrence, Kenneth. ‘Dionysus and O’Neill.’ University Review (Univ. of Kansas City) 33 1966 67-70 [M376]

Lee, Robert C. ‘Eugene O’Neill’s remembrance: the past is the present.’ Arizona Quarterly 23 1967 293-305 [M193]

Lewis, Ward B. Eugene O’Neill: the German reception of America’s first dramatist. NY: Lang, 1984, 113-21

Lindman-Strafford, Kerstin. ‘Modern som  martyr.’ Finsk Tidskrift 7 1989 414-23 (on Mary)

Lloyd, D. W. ‘Mystical experience in Long Day’s Journey Into Night.’ Unisa English Studies 34 ii 1986 17-21 [S40]

Long, Chester C. The role of nemesis in the structure of selected plays by Eugene O’Neill. The Hague: Mouton, 1968, 198-215

Lumet, Sidney. ‘Long Day’s Journey Into Night: an interview with Sidney Lumet [conducted by Dale Luciano].’ Pp 28-43 in Joanna E. Rapf, ed. Sidney Lumet: interviews. Jackson: UP of Mississippi, 2006

Maeland, Odd M. ‘The echo of Ibsen’s Ghosts in O’Neill’s Long Day’s Journey Into Night.’ Pp 130-35 in Sven H. Rossel & Birgitta Steene, eds. Scandinavian literature in a transcultural context: papers from  the XV IASS conference, University of Washington . . . 1984. Seattle: Univ. of Washington, 1986

Maley, Patrick. ‘Mary Tyrone’s crisis of agency: Long Day’s Journey Into Night, ordinary language, and the tragic humanism of American drama.’ Eugene O’Neill Review 35 2014 41-60

Mandl, Bette. ‘Composing memory in Eugene O’Neill’s Long Day’s Journey Into Night.’ Pp 178-88 in Bloom 3

-----. ‘Wrestling with the angel in the house: Mary Tyrone’s long journey.’ Eugene O’Neill Newsletter 12 iii 1988 19-24 [S41]

Manheim, Michael. ‘Dialogue between son and mother in Chekhov’s The Sea Gull and O’Neill’s Long Day’s Journey Into Night.’ Eugene O’Neill Newsletter 6 i 1982 24-29 [S41]

-----. Eugene O’Neill’s new language of  kinship. Syracuse, NY: Syracuse UP, 1982, 164-90: ‘Long Day’s Journey Into Night’; 211-16: ‘Appendix: Motifs in Long Day's Journey Into Night’ (classified list)

-----. ‘The stature of Long Day’s Journey Into Night.’ Pp 206-16 in Manheim [S107]

-----. ‘The transcendence of melodrama in Long Day’s Journey Into Night.’ Pp 33-42 in Bagchee [S106]

-----. Vital contradictions: characterization in the plays of Ibsen, Strindberg, Chekhov and O’Neill. Brussels: Lang, 2002, 179-89

Mann, Bruce J. ‘O’Neill’s “presence” in Long Day’s Journey Into Night.’ Theatre Annual 43 1988 15-30 [S42]; repr. on pp 7-18 in Bloom 2

Manocchio, Tony, &  William Petit. Families under stress: a psychological interpretation. London: Routledge & Kegan Paul, 1975, 102-28: ‘The Tyrone family’ [S107]

Manvell, Roger. Theater and film: a comparative study of the two forms of dramatic art, and of the problems of adaptation of stage plays into films. Rutherford, NJ: Fairleigh Dickinson UP, 1979, 106-19: ‘Long Day’s Journey Into Night’ [S107]

Marcuson, Lewis R. The stage immigrant: the Irish, Italians, and Jews in American drama, 1920-1960. NY: Garland, 1990, 190-97: ‘Long Day’s Journey Into Night’

Marouf, Dana. Tillstånd och tillblivelse: Lång dags färd mot natt; från kollationering till föreställning. Stockholm: Carlsson, 2008. 160 pp (Condition and genesis: Long Day’s Journey Into Night from the collation of performance) (hard to find)

Mathur, Charu. Women in the plays of Eugene O’Neill and Tennessee Williams. Jaipur: Rawat, 2002, 59-67

Maufort, Marc. ‘American flowers of evil: Long Day’s Journey Into Night and Baudelaire.’ Pp 13-28 in Gilbert Debusscher & Henry I. Schvey, eds. New essays on American drama. Amsterdam: Rodopi, 1989 (Costerus 76) [S108]; repr. on pp 37-51 in Bloom 2

-----. ‘Eugene O’Neill and poetic realism: tragic form  in the Belgian premiere of Long Day’s Journey Into Night.’ Theatre Survey 29 1988 117-25 [S42]

-----. Labyrinth of hybridities: avatars of O’Neillian realism in multi-ethnic American drama (1972-2003). Brussels: Lang, 2010. 241 pp (many references to the play; see index)

-----. ‘Like a saint’s vision of beatitude: vision and narration in O’Neill.’ Pp 179-86 in Earl Miner & Torv Haga, eds. The force of vision; proceedings of the XIIIth congress of the International Comparative Literature Association. Tokyo: ICLA, 1995 [S109] (volume also cited as Gerald Gillespie & Andre Lorant, eds. Powers of narration / Literary theory. Tokyo: Univ. of Tokyo Pr., 1995)

-----. Songs of American  experience: the vision of O’Neill and Melville. NY: Lang, 1990, see index

McDonald, David. ‘The phenomenology of the glance in Long Day’s Journey Into Night.’ Theatre Journal 31 1979 343-56 [S44]

McDonnell, Thomas P. ‘O’Neill’s drama of the psyche.’ Catholic World 197 1963 120-25 [M377]

McDonough, Edwin J. Quintero directs O’Neill: an examination of eleven plays of Eugene O’Neill staged by José Quintero in New York City, 1956-1981. Chicago: A Capella Books, 1991, 46-60: ‘Long Day’s Journey Into Night [1956]’; 268-83: ‘Long Day’s Journey Into Night [1988]’

Meaney, Gerardine. ‘Long Day’s Journey Into Night: modernism, post-modernism  and maternal loss.’Irish University Review 21 ii 1991 204-18 [S44]; repr. on pp 53-67 in Bloom 2

Miliora, Maria T. Narcissism, the family, and  madness: a self-psychological study of Eugene O’Neill and his plays. NY: Lang, 2000, 39-47

Monteiro, George. ‘James Tyrone’s Packard in Long Day’s Journey Into Night.’ Notes on Contemporary Literature 42 iii 2012 4-6

-----. ‘“That goes for Sweeny”: Jamie Tyrone’s slang phrase from Act 4 of Long Day’s Journey Into Night.’ Eugene O’Neill Review 34 2013 233-35

Moorton, Richard F. ‘The author as Oedipus in Mourning Becomes Electra and Long Day’s Journey Into Night.’ Papers on Language and Literature 25 1989 304-25 [S46]; repr. on pp 171-88 in Moorton

Murphy, Brenda. O’Neill: Long Day’s Journey Into Night. Cambridge: Cambridge UP, 2001. 250 pp (‘Plays in Production’)

Nagarajan, S. ‘A note on O’Neill’s Long Day’s Journey Into Night.’ Literary Criterion 7 i 1966 52-54 (its literary style)

Nuetzel, Eric J. ‘The haunting of Eugene in Long Day’s Journey Into Night.’ Journal of Applied Psychoanalytic Studies 1 ii 1999 191-97

Oku, Yasuko. ‘An analysis of the fourth act of O’Neill’s Long Day’s Journey Into Night, mainly of his application of the comic perspective.’ Studies in English Literature (English number) 58 1982 43-61 [S49]

Oliver, Roger W. ‘Bergman’s trilogy: tradition and innovation.’ Performing Arts Journal 40 1992 75-86 [S49] (the play, Miss Julie, and A Doll House)

Ooi, Vicki C. H. ‘A Cantonese translation and production of Long Day’s Journey Into Night.’ Pp 51-68 in Ortrun Zuber, ed. The languages of theatre: problems in the translation and transposition of drama. Oxford: Pergamon Pr., 1980 [S113]

Orlandello, John. O’Neill on film. Rutherford, NJ: Fairleigh Dickinson UP, 1982, 131-45: ‘Long Day’s Journey Into Night (1962)’

Orr, John. Tragic drama and modern society: a sociology of dramatic form  from 1880 to the present. 2^nd ed. Basingstoke: Macmillan, 1989, 196-205 [S113]

Pacheco, Gilda. ‘Un enfoque feminista sobre Viaje de un largo día hacia la noche.’ Revista de Filología y Lingüística de la Universidad de Costa Rica 14 i 1988 75-80

Pao, Angela C. ‘Changing faces: recasting national identity in all-Asian(-)American dramas.’ Theatre Journal 53 2001 389-409 (productions of the play and Miller’s Death of a Salesman in Peking)

Peery, William. ‘Does the buskin fit O’Neill?’ University of Kansas City Review 15 1949 281-87 [M203]

Pfefferkorn, Kristin. ‘Searching for home in O’Neill’s America.’ Pp 119-43 in Moorton [S114]

Pfister, Joel. Staging depth: Eugene O’Neill and the politics of psychological discourse. Chapel Hill: Univ. of North Carolina Pr., 1995, 203-15: ‘The cultural web in O’Neill’s Journey’

Pond, Gloria D. ‘A family disease.’ Eugene O’Neill Newsletter 9 i 1985 12-14 [S51] (addictions to opiates)

Porter, Laurin R. The banished prince: time, memory, and ritual in the late plays of Eugene O’Neill. Ann Arbor, MI: UMI Research Pr., 1988, 79-92: ‘Long Day’s Journey Into Night: descent into darkness’; repr. on pp 19-35 in Bloom 2

-----. ‘Modern and postmodern wastelands: Long Day’s Journey Into Night and Shepard’s Buried Child.’ Eugene O’Neill Review 17 1993 106-19 [S51]

-----. ‘Teaching Long Day’s Journey and Shepard’s Buried Child.’ Eugene O’Neill Review 25 2001 80-84

-----. ‘“Why do I feel so lonely?”: literary allusions and gendered species in Long Day’s Journey into Night.’ Eugene O’Neill Review 30 2008 37-47

Proehl, Geoffrey S. Coming home again: American family drama and the figure of the prodigal son. Madison, NJ: Fairleigh Dickinson UP, 1997, 111-19 and see index

-----. ‘Foucault on discourse: O’Neill as discourse: Long Day’s Journey Into Night (4: 125-154), Tyrone and Edmund.’ Journal of Dramatic Theory and Criticism 4 ii 1990 51-62 [S52]

Quintero, José. If you don’t dance they beat you. Boston: Little, Brown, 1974, 203-14

Ràfols, Wilfredo de. ‘Non-worded words and unmentionable pharmaka in O’Neill and Valle-Inclán.’ Comparative Drama 31 1997 193-212 [S53]

Raghavacharyulu, Dhupaty V. K. Eugene O’Neill: a study. Bombay: Popular Prakashan, 1965, 157-70 and see index

Raleigh, John H. ‘Communal, familial, and personal memories in O’Neill’s Long Day’s Journey Into Night.’ Modern Drama 31 1988 63-72 [S53]; repr. on pp 203-12 in Houchin

-----. ‘O’Neill’s Long Day’s Journey Into Night and New England Irish-Catholicism.’ Partisan Review 26 1959 573-92 [M205]; repr. on pp 124-41  in Gassner and on pp 234-54 in Travis Bogard & William  I. Oliver, eds. Modern drama: essays in criticism. NY: Oxford UP, 1965 [M373]

-----. The plays of Eugene O’Neill. Carbondale: Southern Illinois UP, 1965, 86-93 and see index

Raphael, Jay E. ‘On directing Long Day’s Journey Into Night.’ Eugene O’Neill Newsletter 5 i 1981 7-10 [S53]

Redford, Grant H. ‘Dramatic art vs. autobiography: a look at Long Day’s Journey Into Night.’ College English 25 1964 527-35 [M205]

Reilly, Kevin P. ‘Pitching the mansion and pumping the morphine: Eugene O’Neill’s Long Day’s Journey Into Night.’ Gypsy Scholar 5 1978 22-33 [S54]

Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 168-79: ‘Withdrawals and returns: The Iceman Cometh and Long Day’s Journey Into Night’

-----. ‘Ghost stories: Iceman’s absent women and Mary Tyrone.’ Eugene O’Neill Newsletter 12 iii 1988 14-19 [S55]

-----. ‘Iceman and Journey, yin and yang: Taoist rhythm  and O’Neill’s late tragedies.’ Pp 21-27 in Liu [S119]

Roig, Rosendo. ‘Después de Viaje de un largo día hacia la noche de O’Neill.’ Razón y Fe: Revista Hispanoamericana de Cultura 158 1958 367-70

Rothenberg, Albert. ‘Autobiographical drama: Strindberg and O’Neill.’ Literature and Psychology 17 1967 95-114 [M206]

-----, & Eugene D. Shapiro. ‘The defense of psychoanalysis in literature: Long Day’s Journey Into Night and [Miller’s] A View from  the Bridge.’ Comparative Drama 7 1973 51-67 [S56]; repr. on pp 169-85 in Stroupe

Rubinstein, Annette. ‘The dark journey of Eugene O’Neill.’ Mainstream 10 April 1957 29-33 [M373]

Scanlan, Tom. Family, drama, and American dreams. Westport, CT: Greenwood Pr., 1978, 111-21

Scarton Badino, Margareth M. ‘The self destructiveness of an idealist: a study of Mary Tyrone in O’Neill’s Long Day’s Journey Into Night.’ Estudos Anglo-Americanos 5-6 1981-82 118-36 [S7]

Scheibler, Rolf. The late plays of Eugene O’Neill. Bern: Francke, 1970, 102-50

Schenker, Ueli. Eugene O’Neills Spätwerk. Zurich: Juris, 1965, 49-84

Schmitt, Natalie C. Actors and onlookers: theater and twentieth-century scientific views of nature. Evanston, IL: Northwestern UP, 1990, 39-76: ‘Family plays: Long Day’s Journey Into Night and [the Wooster Group’s] Rumstick Road’

Schvey, Henry I. ‘“The past is the present, isn’t it?” Eugene O’Neill’s Long Day’s Journey Into Night.’ Dutch Quarterly Review of Anglo-American Letters 10 1980 84-99 [S58]

Schwarz, Alfred. From Büchner to Beckett: dramatic theory and the modes of tragic drama. Athens: Ohio UP, 1978, 132-40

Seidel, Margot. Bibel und Christentum im dramatischen Werk Eugene O’Neills. Frankfurt: Lang, 1984, 191-94 and see index

Selmon, Malcolm. ‘“Like ... so many small theatres”: the panoptic and the theatric in Long Day’s Journey Into Night.’ Modern Drama 40 1997 526-39 [S58]; repr. on pp 69-84 in Bloom 2

Sewall, Richard B. ‘Eugene O’Neill and the sense of the tragic.’ Pp 3-16 in Moorton [S121]

-----. The vision of tragedy. New ed. New Haven, CT: Yale UP, 1980, 161-74: ‘Long Day’s Journey Into Night’ [S121] (from Cross Currents 29 1979  446-56 [S59])

Shafer, Yvonne. Performing O’Neill: conversations with actors and directors. NY: St. Martin’s Pr., 2001, 57-62, 128-31, 162-66, 183-87, 201-05, 218-31

Shaughnessy, Edward L. Down  the nights and down the days: Eugene O’Neill’s Catholic sensibility. Notre Dame, IN: Univ. of Notre Dame Pr., 1996, 52-62 (incorporates ‘The iceman melteth.’ Eugene O’Neill Newsletter 3 ii 1979 3-6 [S59])

Shea, Laura. ‘A  note on Long Day’s Journey Into Night.’ Notes on Contemporary Literature 23 iii 1993 4-5 [S60]

Sheaffer, Louis. O’Neill, son  and artist. Boston: Little, Brown, 1973, 510-17 and see index

Silver, Ann-Louise S. ‘American psychoanalysts who influenced Eugene O’Neill’s Long Day’s Journey Into Night.’ Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry 29 2001 305-18

Simon, Bennett. ‘Poetry, tragic dialogue and the killing of children in Eugene O’Neill’s Long Day’s Journey Into Night.’ Hebrew University Studies in Literature and the Arts 14 1986  66-105 [S61]

-----. Tragic drama and the family: psychoanalytic studies from Aeschylus to Beckett. New Haven, CT: Yale UP, 1988, 177-211: ‘A mistake my being born a man: O’Neill’s Long Day’s Journey Into Night’ [S123]

Singh, Avadhesh K. The plays of Eugene O’Neill: a study in myths and symbols. New Delhi: Creative Publishers, 1991, 143-53

Singh, Tejpal. Eugene O’Neill: quest for reality in his plays. New Delhi: National Book, 1987, 143-51

Sipple, William  L. ‘From stage to screen: The Long Voyage Home and Long Day’s Journey Into Night.’ Eugene O’Neill Newsletter 7 i 1983 10-14 [S61]

Sjödin, Christer. ‘A discussion of development and stagnation based on Eugene O’Neill’s play Long Day’s Journey Into Night.’ International Forum of Psychoanalysis 10 i 2001 81-86

Smith, Madeline C. ‘Land and sea: Long Day’s Journey Into Night and the humorous Tyrones.’ West Virginia University Philological Papers 37 1991 123-30 [S62]

Snyder, Phillip A. ‘A wanderer’s tether: the meaning of home in O’Neill’s Ah, Wilderness! and Long Day’s Journey Into Night.’ Encyclia: The Journal of the Utah Academy of Sciences, Arts and Letters 57 1980 103-09 [S63]

Spånberg, Sven J. ‘Male speech, female silence: the question of power in Browning’s “Andrea del Sarto,” Morris’s “The Hill of Venus,” and O’Neill’s Long Day’s Journey Into Night.’ Pp 199-208 in From runes to romance: a Festschrift for Gunnar Persson on his sixtieth birthday, November 9, 1997. Uppsala: Swedish Science Pr., 1997 [S125]

-----. ‘The pre-Raphaelite woman in O’Neill’s Long Day’s Journey Into Night.’ Pp 773-84 in Ishrat Lindblad & Magnus Ljung, eds. Proceedings from  the third Nordic conference for English studies . . . 1986, volume II. Stockholm: Almqvist & Wiksell, 1987 (Stockholm Studies in English 2) [S124]

Stefanelli, Maria A. ‘Da O’Neill a O’Neill.’ Pp 449-63 in Cristina Giorcelli & Camilla Cattarulla, eds. Lo sguardo esiliato: cultura europea e cultura americana fra delocalizzazione e radicalismento. Naples: Loffredo, 2008

Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 285-303: ‘Through the fog into the monologue: Long Day’s Journey Into Night’; repr. on pp 114-29 in Griffin

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 95-101, 115-18, 162-64, 239-44, and see index

-----. Eugene O’Neill: a playwright’s theatre. Jefferson, NC: McFarland, 2003, 176-96: ‘Long Day’s Journey Into Night’ (repr. on pp 179-201 in Bloom 2); 221-34: ‘Ingmar Bergman, Lars Nóren and Long Day’s Journey Into Night’ (from ‘Ingmar Bergman directs Long Day’s Journey Into Night.’ New Theatre Quarterly 20 1989 374-83 [S65] and ‘Ingmar Bergman and Long Day’s Journey Into Night.’ Pp 241-48 in Liu [S127])

Tuck, Susan. ‘House of Compson, house of Tyrone: Faulkner’s influence on O’Neill.’ Eugene O’Neill Newsletter 5 iii 1981 10-16 [S65]

Usui, Masami. ‘Mary Tyrone’s drug addiction and quest for truth in Long Day’s Journey Into Night.’ Gengo Bunka Kenkyn [Studies in Languages and Cultures] 16 1990 109-22 [S66]

Vaillant, George E. The wisdom of the ego. Cambridge, MA: Harvard UP, 1993, 266-83 [S128] (the ‘sublimated masterpiece’ as ‘an odyssey of psychological recovery’)

Vena, Gary. ‘Congruency and coincidence in O’Casey’s Juno and O’Neill’s Journey.’ English Studies 68 1987 249-63 [S66]

Voboóil, Róóa. ‘Fatalism  in Eugene O’Neill’s Long Day’s Journey Into Night.’ Acta Universitatis ºódziensis: Folia Litteraria 18 1987 149-60 [S66]

Voglino, Barbara. Perverse mind: Eugene O’Neill’s struggle with closure. Madison, NJ: Fairleigh Dickinson UP, 1999, 95-111: ‘Long Day’s Journey Into Night: the question of blame’ ; repr. on pp 143-61 in Bloom 2 (parts from ‘“Games” the Tyrones play.’ Eugene O’Neill Review 16 i 1992 91-103 [S67])

Wakefield, Thaddeus. The family in twentieth-century American drama. NY: Lang, 2003, 10-15, 23-27, 47-50

Wallerstein, Nicholas. ‘Accusation and argument in Eugene O’Neill’s Long Day’s Journey Into Night.’ Eugene O’Neill Review 23 1999 127-33

Wedge, George F. ‘Mixing memory with desire: the family of the alcoholic in three mid-century plays.’ Dionysos 1 i 1989 10-18 [S69]

Weissman, Philip. Creativity in the theatre: a psychoanalytical study. NY: Basic Books, 1965, 113-45: ‘O’Neill’s conscious and unconscious autobiographical dramas’ (114-36 on the play)

Werth, Lee F. ‘Eugene O’Neill’s diverse use of fog as an existential metaphor.’ Analecta Husserliana 73 2001 237-46 (stresses the play)

Wertheim, Albert. ‘Gaspard the miser in O’Neill’s Long Day’s Journey Into Night.’ American Notes and Queries 18 1979 39-42 [S69]

Westgate, J. Chris. ‘Tragic inheritance and tragic expression in Long Day’s Journey into Night.’ Eugene O’Neill Review 30 2008 21-36

Williams, Raymond. Drama from Ibsen to Brecht. 2^nd ed. Harmondsworth: Penguin, 1973 (c. 1968), 335-39 [S131]

Wilson, Robert N. The writer as social seer. Chapel Hill: Univ. of North Carolina Pr., 1979, 72-88: ‘Eugene O’Neill: the web of family’ [S131]

[Contents]

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