O'Neill Play by Play: The Moon of the Caribbees

The Moon of the Caribbees

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 85-90

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 125-29

Holton, Deborah W. ‘Revealing blindness, revealing vision: interpreting O’Neill’s black female characters in Moon of the Caribbees, The Dreamy Kid and All God’s Chillun Got Wings.’ Eugene O’Neill Review 19 1995 29-44 [S34]

Long, Chester C. The role of nemesis in the structure of selected plays by Eugene O’Neill. The Hague: Mouton, 1968, 59-74

Müller, Kurt. ‘Aspekte des Modernen in den frühen See-Einaktern Eugene O’Neills.’ Amerikastudien 34 1989 391-402

Pfister, Joel. Staging depth: Eugene O’Neill and the politics of psychological discourse. Chapel Hill: Univ. of North Carolina Pr., 1995, 112-14

Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 90-94

Scarbrough, Alex. ‘O’Neill’s use of the displaced archetype in The Moon of the Caribbees.’ West Virginia University Philological Papers 19 1972 41-44 [M403]

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 174-76 and see index