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Works Cited

Abbot, H. Porter.  "Late Modernism: Samuel Beckett and the Art of the Oeuvre."  Around the Absurd.  Enoch Brater and Ruby Cohn.  Ann Arbor: The U. of Michigan Press, 1990.

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Bergoffen, Debra.  "Nietzsche's Madman: Perspectivism without Nihilism."  Nietzsche as Postmodernist: Essays Pro and Contra.  Ed. Clayton Koelb.  New York: The State U. of New York Press, 1990.

Bogard, Travis.  Contour in Time.  New York: Oxford U. Press, 1988.

Boulton, Agnes.  Part of a Long Story. Garden City: Doubleday, 1958.

Bowen, Croswell and Shane O'Neill.  The Curse of the Misbegotten. New York: McGraw-Hill, 1959.

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Conway, Daniel.  "Nietzsche Contra Nietzsche: The Deconstruction of Zarathustra."  Nietzsche as Postmodernist: Essays Pro and Contra.  Ed. Clayton Koelb.  New York: The State U. of New York Press, 1990.

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--  Selected Letters.  Ed. Travis Bogard and Jackson R. Bryer.  New Haven: Yale U. Press, 1988.

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Pfister, Joel.  Staging Depth.  Chapel Hill: The U. of North Carolina Press, 1995.

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Sayler, Oliver.  "The Artist of the Theatre: A Colloquy between Eugene O'Neill and Oliver M. Sayler."  Conversations with Eugene O'Neill.  Ed. Mark W. Estrin.  Jackson: U. Press of Mississippi, 1990.

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Van Leer, David.  "The Showman Cometh." The New Republic.  13 Nov. 1989: 29-34.

Wainscott, Ronald H., Staging O'Neill: The Experimental Years, 1920-1934.  New Haven: Yale University Press, 1988.

Weiss, Samuel A.  "O'Neill, Nietzsche and Cows."  Modern Drama.  April 1991: 494-98.

Winther, Sophus Keith.  Eugene O'Neill: A Critical Study.     New York: Random House, 1934. 

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