S. S. Glencairn

(Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home)

Bennett, Michael Y. ‘Epistemological crises in O’Neill’s SS Glencairn plays.’ Pp 97-111 in Bennett

Carpenter, Frederick I. Eugene O’Neill. Rev. ed. Boston: Twayne, 1979, 80-84

Colburn, Steven E. ‘The long voyage home: illusion and the tragic pattern of fate in O’Neill’s S. S. Glencairn cycle.’ Pp 55-65 in Martine [S84]

Condee, William  F. ‘Melodrama to mood: O’Neill’s construction and deconstruction of suspense in the “S. S. Glencairn” plays.’ Eugene O’Neill Review 23 1999 8-18

Fink, Ernst O. ‘Audience aids for non-literary allusions? Observations on the transposition of essential technicalities in the sea plays of Eugene O’Neill.’ Pp 69-81 in Ortrun Zuber, ed. The languages of theatre: problems in the translation and transposition of drama. Oxford: Pergamon Pr., 1980 [S91]

Ford, Christine. ‘The Dionysian sea: Eugene O’Neill’s S. S. Glencairn cycle.’ CEA Critic 63 iii 2001 46-53

Larson, Kelli A. ‘O’Neill’s tragic quest for belonging: psychological determinism  in the S. S. Glencairn plays.’ Eugene O’Neill Review 13 ii 1989 12-22 [S39]

Lee, E. Andrew. ‘The image of Irish in the life and work of Eugene O’Neill.’ Eugene O’Neill Review 35 2014 137-60 (140-42 on the cycle)

Maufort, Marc. ‘Eugene O’Neill’s innovative craftsmanship in the “Glencairn” cycle (1914-1917).’ Eugene O’Neill Newsletter 12 i 1988 27-33 [S42]

Panda, Buddhadev. ‘O’Neill’s S. S. Glencairn cycle as religious drama.’ Indian Journal of English Studies 20 1980 87-94

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