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Alexander, Doris M. Eugene O’Neill’s creative struggle: the decisive decade, 1924-1933. Univ. Park: Pennsylvania State UP, 1992, 129-48: ‘Dynamo

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 315-22

Brashear, William  R. The gorgon’s head: a study in tragedy and despair. Athens: Univ. of Georgia Pr., 1977, 104-33: ‘The wisdom of Silenus: O’Neill’s spiritual ancestors’ (127-33 on the play)

Broussard, Louis. American drama: contemporary allegory from Eugene O’Neill to Tennessee Williams. Norman: Univ. of Oklahoma Pr., 1962, 9-38: ‘O’Neill’ (23-27 on the play)

Chabrowe, Leonard. Ritual and pathos: the theater of Eugene O’Neill. Lewisburg, PA: Bucknell UP, 1976, 59-63

Comarnescu, Petru. O’Neill Õi renaÕterea tragediei. Cluj: Dacia, 1986, 116-21: ‘Dynamo (Dinamul)’

Cotsell, Michael. The theater of trauma: American modernist drama and the psychological struggle for the American mind, 1900-1930. NY: Lang, 2005, 226-29

Dahlström, Carl E. W. L. ‘Dynamo and Lazarus Laughed: some limitations.’ Modern Drama 3 1960 224-30 [M300]

Das, Nila. ‘Because of the machine: [Tagore’s] The Waterfall and Dynamo.’ Panjab University Research Bulletin: Arts 14 ii 1983 121-31

Elwood, William  R. ‘Eugene O’Neill’s Dynamo and the expressionist canon.’ Pp 129-36 in Liu [S90]

Engel, Edwin A. The haunted heroes of Eugene O’Neill. Cambridge, MA: Harvard UP, 1953, 229-39: ‘The dynamo and the mother’

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 353-67

Gey, Guy. ‘Dynamo de Eugene O’Neill: “la maladie contemporaine” et l’exploitation d’un mythe moderne.’ Caliban (Toulouse) 7 1970 35-41

Jerz, Dennis G. ‘The experimental seduction of mechanistic modernism in Eugene O’Neill’s Dynamo and the Federal Theatre Project’s Altars of Steel.’ Interdisciplinary Science Reviews 27 2002 184-92

-----. Technology in American drama, 1920-1950: soul and society in the age of the machine. Westport, CT: Greenwood Pr., 2003, 59-66: ‘The evocative discord of machinery in Dynamo

Manheim, Michael. Eugene O’Neill’s new language of  kinship. Syracuse, NY: Syracuse UP, 1982, 71-75

Miliora, Maria T. Narcissism, the family, and  madness: a self-psychological study of Eugene O’Neill and his plays. NY: Lang, 2000, 91-95

Murphy, Brenda. ‘Fetishizing the dynamo: Henry Adams and Eugene O’Neill.’ Eugene O’Neill Review 16 i 1992 85-90 [S47]

Porter, Thomas E. ‘The Magna Mater: the maternal goddess in O’Neill’s plays.’ Eugene O’Neill Review 27 2005 41-50 (45-49 on the play)

Raleigh, John H. The plays of Eugene O’Neill. Carbondale: Southern Illinois UP, 1965, 13-16 and see index

Riggs, Mike. ‘Parables against religion: the modern miracle of humanity in O’Neill’s Dynamo cycle.’ Journal of American Drama and Theatre 12 iii 2000 14-26

Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 161-67: ‘Dynamo: repudiation and retreat’

Seidel, Margot. Bibel und Christentum im dramatischen Werk Eugene O’Neills. Frankfurt: Lang, 1984, 133-36, 216-21 and see index

Singh, Avadhesh K. The plays of Eugene O’Neill: a study in myths and symbols. New Delhi: Creative Publishers, 1991, 118-22

Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 162-67

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 70-76 and see index

Tuck, Susan. ‘Electricity is God now: D. H. Lawrence and O’Neill.’ Eugene O’Neill Newsletter 5 ii 1981 10-15 [S65]

Voglino, Barbara. Perverse mind: Eugene O’Neill’s struggle with closure. Madison, NJ: Fairleigh Dickinson UP, 1999, 56-65: ‘Two failed thesis plays: Dynamo and Days Without End

Wainscott, Ronald H. Staging O’Neill: the experimental years, 1920-1934. New Haven, CT: Yale UP, 1988, 243-55 (from ‘Harnessing O’Neill’s furies: Philip Moeller directs Dynamo.’ Eugene O’Neill Newsletter 10 iii 1986 3-13 [S68])

Wasserstrom, William. ‘Notes on electricity: Henry Adams and Eugene O’Neill.’ Psychocultural Review 1 1977 161-78 [S68]

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