O'Neill Play by Play: Days Without End

Days Without End

Alexander, Doris M. Eugene O’Neill’s creative struggle: the decisive decade, 1924-1933. Univ. Park: Pennsylvania State UP, 1992, 189-208: ‘Days Without End’

Arns, Heriberto. ‘A religiosidade de Eugene O’Neill.’ Letras (Curitiba) 16 1968 45-57

Black, Stephen A. Eugene O’Neill: beyond mourning and tragedy. New Haven, CT: Yale UP, 2000, 377-87

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 323-30

Chabrowe, Leonard. Ritual and pathos: the theater of Eugene O’Neill. Lewisburg, PA: Bucknell UP, 1976, 60-67

Dowling, Robert M. ‘“Denial without end”: Benjamin De Casseres’s parody of Eugene O’Neill’s Days Without End.’ Eugene O’Neill Review 30 2008 145-59

Eastman, Fred. Christ in the drama. NY: Macmillan, 1947, 92-103 [M118]

Eisen, Kurt. The inner strength of opposites: O’Neill’s novelistic drama and the melodramatic imagination. Athens: Univ. of Georgia Pr., 1994, 116-23

Engel, Edwin A. The haunted heroes of Eugene O’Neill. Cambridge, MA: Harvard UP, 1953, 264-70

Falk, Doris V. Eugene O’Neill and the tragic tension: an interpretive study of the plays. NY: Gordian Pr., 1958, 145-55; repr. as ‘The way out: the many endings of Days Without End’ on pp 415-23 in Cargill

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 406-20

Geier, Woodrow A. ‘O’Neill’s miracle play.’ Religion in Life 16 1947 515-26 [M268]

Heilman, Robert B. The iceman, the arsonist, and the troubled agent: tragedy and melodrama on the modern stage. Seattle: Univ. of Washington Pr., 1973, 89-93

Langner, Lawrence. The magic curtain. NY: Dutton, 1951, 275-87: ‘O’Neill, Ah, Wilderness! and Days Without End’ [M132]

Manheim, Michael. Eugene O’Neill’s new language of kinship. Syracuse, NY: Syracuse UP, 1982, 92-100

Miller, Jordan Y. ‘The Georgia plays of Eugene O’Neill.’ Georgia Review 12 1958 278-90 [M196] (the play and Ah, Wilderness!)

Myers, Andrew B. ‘“Hysteria night in the sophomore dormitory”: Eugene O’Neill’s Days Without End.’ Columbia Library Columns 28 ii 1979 3-13 [S47]

Raghavacharyulu, Dhupaty V. K. Eugene O’Neill: a study. Bombay: Popular Prakashan, 1965, 116-21 and see index

Riggs, Mike. ‘Parables against religion: the modern miracle of humanity in O’Neill’s Dynamo cycle.’ JADT 12 iii 2000 14-26

Seidel, Margot. Bibel und Christentum im dramatischen Werk Eugene O’Neills. Frankfurt: Lang, 1984, 51-55 and see index

Shaughnessy, Edward L. Down the nights and down the days: Eugene O’Neill’s Catholic sensibility. Notre Dame, IN: Univ. of Notre Dame Pr., 1996, 127-43: ‘The “Catholic” play: Days Without End’ (from ‘O’Neill’s Catholic dilemma in Days Without End.’ Eugene O’Neill Review 15 i 1991 5-26 [S60])

Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 199-205

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, see index

Voglino, Barbara. Perverse mind: Eugene O’Neill’s struggle with closure. Madison, NJ: Fairleigh Dickinson UP, 1999, 56-65: ‘Two failed thesis plays: Dynamo and Days Without End’

Wainscott, Ronald H. Staging O’Neill: the experimental years, 1920-1934. New Haven, CT: Yale UP, 1988, 275-87

Wertheim, Albert. ‘Eugene O’Neill’s Days Without End and the tradition of the split character in modern American and British drama.’ Eugene O’Neill Newsletter 6 iii 1982 5-9 [S69]