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Where the Cross Is Made

Berlin, Normand. O’Neill’s Shakespeare. Ann Arbor: Univ. of Michigan Pr., 1993, 23-25

D’Alessandro, Michael. ‘Shifting perceptions, precarious perspectives in two of O’Neill’s early sea plays.’ Eugene O’Neill Review 29 2007 20-35 (the play and Fog)

Engel, Edwin A. The haunted heroes of Eugene O’Neill. Cambridge, MA: Harvard UP, 1953, 21-24

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 159-64

Maufort, Marc. ‘Eugene O’Neill and the shadow of Edmond Dantès: the pursuit of dramatic unity in Where the Cross Is Made (1918) and Gold (1920).’ Pp 89-97 in Gilbert Debusscher, ed. American literature in Belgium. Amsterdam: Rodopi, 1988 [S108]

Müller, Kurt. ‘Aspekte des Modernen in den frühen See-Einaktern Eugene O’Neills.’ Amerikastudien 34 1989 391-402

Perrin, Robert. ‘O’Neill’s use of language in Where the Cross Is Made.’ Eugene O’Neill Newsletter 6 iii 1982 12-13 [S50]

Pira, Gisela. ‘Eugene O’Neill, Where the Cross Is Made: Versuch einer Interpretation.’ Neueren Sprachen 4 1960 179-82

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 86-88 and see index

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