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FURTHER ADDENDA TO MILLER: ELUSIVE ARTICLES, BOOKS, AND PARTS OF BOOKS ABOUT O'NEILL, 1966-78 In the course of my work on an international bibliography of modern drama studies published since 1966, I have located many substantial discussions of O'Neill which, for one reason or another, are not included in Jordan Y. Miller's excellent Eugene O'Neill and the American Critic: A Bibliographical Checklist (2nd ed., rev., 1973). About fifty of these, restricted to parts of books, appeared in the January 1979 issue of Eugene O'Neill Newsletter. The present list adds a few more chapters and sections in books, but features two types of material: whole books on O'Neill that scholars are apt to overlook, and articles that appeared neither in Miller's volume nor in my annual bibliographies compiled for Modern Drama since 1974. Perhaps half of the items cannot be found in the MLA International Bibliography or the Annual Bibliography of English Language and Literature: most, in other words, are genuinely elusive. Again, I welcome addenda to the addenda. --Charles A. Carpenter Agnihotri, S. M. "Illusion Versus Reality in the Major Plays of Eugene O'Neill." Panjab Univ. Research Bulletin (Arts), 3 (April 1972), 69-74 Alagna, Giulia. "L' Aside' in Strange Interlude." Blue Guitar (Messina), 2 (1976), 219-31 Alvarez, Dictino. "Hombre y destino en el teatro de O'Neill." Teatroforum: Lectura del teatro moderno. Madrid: Razon y Fe, 1966, 99-134 Arns, Heriberto. "A religiosodade existencial de Eugene O'Neill." Letras (Curitiba), 16 (1968), 45-57 (stresses Days Without End and Long Day's Journey) Asselineau, Roger. "Desire Under the Elms: A Phase of Eugene O'Neill's Philosophy." In Eduard Kolb & Jorg Hasler, eds. Festschrift Rudolf Stamm. Bern: Francke, 1969, 277-83; repr. in Ernest G. Griffin, ed. Eugene O'Neill: A Collection of Criticism. NY: McGraw-Hill, 1976, 59-66 Aumer, Ewa. "Eugene O'Neill's Experiments in Dramatic Structure and Stylization." Acta Universitatis Wratislaviensis, 166 (1972), 37-49 Bauzyte, Galina. "Salygiskumas XX a. vakaru dramoje (Augusta Strindbergas ir Judzinas O'Nilas)." Literatura (Vilnius), 14, iii (1972), 93-109 (Eng. abstract follows) Becsy, Tamas. "Utazas az
ejszakaba." A dramamodellek es a Tai drama. Budapest:
Akademiai, 1974, 294-300 (Long Day's Journey) Boldori, Rosa. "Examen de la bibliografia sobre Eugene O'Neill." San Marcos, 6 (1967), 31-48 (with Spanish-language bibl.) Brantsaeter, Per L. "Eugene O'Neill: Hans skuespill og hans virkelighet." Samtiden, 83 (1974), 166-72 Bridgwater, Patrick. "'In His Sphere, the Master' (Eugene O'Neill)." Nietzsche in Anglosaxony: A Study of Nietzsche's Impact on English and American Literature. Leicester: Leicester UP, 1972, 184-90 Camilucci, Marcello. "Il dramma dell'interiorità: Strano interludio." Studium (Avila), 69 (1973), 201-9 Cerny, Jindrich. "Dlouhá cesta O'Neilla k nám." Divadlo, Sept. 1966, 50-59 Chaxel, Francoise du. Eugene O'Neill: Textes, points de vue critiques, temoignages, chronologie, bibliographie, illustrations. Paris: Seghers, 1971. 188 p. Clurman, Harold. "Director's Notes for A Touch of the Poet" and "Director's Notes for Long Day's Journey Into Night." On Directing. NY: Macmillan, 1972, 221-28, 254-59 Cohn, Ruby. "Black Power on Stage: Emperor Jones and [Aime Césaire's] King Christophe." Yale French Studies, 46 (1971), 41-47 Comarnescu, Petru. "Introducere la Straniul interludiu (1939)." Scrieri despre teatru, ed. Mircea Filip. Iasi: Junimea, 1977, 97-148; letters to and from O'Neill follow, 149-55 (1939 essay). -----. "O'Neill piesele intr-un act despre oameni si mare." Secolul XX, viii (1966), 103-12 Corey, James. "O'Neill's The Emperor Jones." American Notes & Queries, 12 (1974), 156-57 (the witch doctor and Conrad's in Heart of Darkness) Dahl, Liisa. Linguistic Features of the Stream-of-Consciousness Techniques of James Joyce, Virginia Woolf and Eugene O'Neill. Turku, Finland: Turun Yliopisto, 1970. 78 p. Das, B. "On Liking O'Neill." Indian Journal of English Studies, 7 (1966), 86-93 Das, P. N. "The Alienated Ape." Literary Half-Yearly, 11, i (1970), 53-69 -----. "Expressionism and The Hairy Ape." Indian Journal of English Studies, 9 (1968), 30-48 Dorn, Knut. Die Erlosungsthematik bei Eugene O'Neill (Eine Analyse der Strukturen im Spätwerk). Heidelberg: Winter, 1968. 136 p. Durant, Will & Ariel. Interpretations of Life: A Survey of Contemporary Literature. NY: Simon & Schuster, 1970, 49-64 Egri, Peter. "The Social and Psychological Aspects of the Conflict in Eugene O'Neill's Mourning Becomes Electra." Studies in English and American (Budapest), 2 (1975), 171-214 Falb, Lewis W. American Drama in Paris, 1945-1970: A Study of Its Critical Reception. Chapel Hill: North Carolina UP, 1973, 7-23 Filipowicz, Halina. "Dream and Death in Gerhart Hauptmann's Vor Sonnenaufgang and Eugene O'Neill's Beyond the Horizon." Acta Universitatis Wratislaviensis, 233 (1974), 69-83 Frazer, Winifred L. "Hughie and [James Forbes'] The Traveling Salesman." Players, 44 (1969), 151-54 Frebel, Peter. "Ah, Wilderness!" In Zeitgenossische amerikanische Dichtung, ed. Werner Hüllen et al. 3rd ed. Frankfurt: Hirschgraben, 1969, 142-47 Gálik, Marian. "Chao--the King of Hell and The Emperor Jones: Two Plays by Hung Shen and O'Neill." Asian and African Studies, 12 (1976), 123-31 Galinsky, Hans. "Eugene O'Neill: Die Wendung des modernen amerikanischen Theaters zur Tragödie." In Franz H. Link, ed. Amerika: Vision und Wirklichkeit. Frankfurt: Athenäum, 1968, 401-17 Gey, Guy "Dynamo de Eugene O'Neill: 'La maladie contemporaine' et l'exploitation d'un mythe moderne." Caliban (Toulouse), 7 (1970), 35-41 -----. "Unité et dualité du mythe de Dionysos dans Lazarus Laughed de Eugene O'Neill." Caliban, 6 (1969), 69-72 Glicksberg, Charles I. "O'Neill and The Iceman Cometh." The Ironic Vision in Modern Literature. The Hague: Nijhoff, 1969, 151-56 -----. "Eugene O'Neill: The Tragedy of Love Without God." The Sexual Revolution in Modern American Literature. The Hague: Nijhoff, 1971, 68-81 Goyal, Bhagwat S. The Strategy of Survival: Human Significance of O'Neill's Plays. Ghaziabad: Vimal, 1975. 244 p. Griffin, Ernest G. "Pity, Alienation and Reconciliation in Eugene O'Neill." Mosaic, 2 (Fall 1968), 66-76 Grosse, Siegfried. "As If--Konjunktion zwischen Schein und Wirklichkeit in den späten Dramen Eugene O'Neills." Poetica, 2 (1968), 521-40 Guruprasad, Thakur. "Experimentation with Dramatic Technique in O'Neill's The Hairy Ape." Indian Journal of English Studies, 14 (1973), 44-54 Halfmann, Ulrich. "Ironie und Symbolik der Dramentitel O'Neills." Neueren Sprachen, 68 (1969), 322-35 -----. Unreal Realism: O'Neills dramatisches Werk im Spiegel seiner szenischen Kunst. Bern: Francke, 1969. 191 p. -----. "Zur Symbolik der Personennamen in den Dramen Eugene O'Neills." Archiv, 206 (1970), 38-45 Hinden, Michael. "Desire Under the Elms: O'Neill and the American Romance." Forum (Houston), 15 (Spring 1977), 44-51 -----. "Liking O'Neill." Forum (Houston), 11 (Winter 1974), 59-66 Hoffmann, Gerhard. "Lachen und Weinen als Gestaltungsmittel der dramatischen Grenzsituation: Zum Verhältnis von direkten und indirekten Ausdrucksformen im Drama O'Neills." Jahrbuch fur Amerikastudien, 15 (1970), 101-22 Jordt, Heinrich. "Sucht und Charakter." Jahrbuch der Wittheit zu Bremen, 18 (1974), 169-88 (stresses Long Day's Journey) Juhl, Peter. "Eugene O'Neill's The Hairy Ape: Bemerkungen zu Sinn und Struktur des Dramas." In Edgar Lohner & Rudolf Haas, eds. Theater und Drama in Amerika: Aspekte und Interpretationen. Berlin: Schmidt, 1978, 235-53 Kaul, R. K. "Tragedy and O'Neill." Jadavpur Journal of Comparative Literature, 11 (1973), 93-106 Koreneva, M. "Eugene O'Neill and the Traditions of American Drama." In 20th Century American Literature: A Soviet View, tr. Ronald Vroon. Moscow: Progress Publishers, 1976, 143-59 Kracht, Werner. "Beyond the Horizon." In Zeitgenossische amerikanische Dichtung, ed. Werner Mullen et al. 3rd ed. Frankfurt: Hirschgraben, 1969, 170-80 Krajewska, Wanda. "Irlandzkosc Eugene'a O'Neill." Przeglad Humanistyczny, 10, iv (1966), 51-66 Link, Franz H. Eugene O'Neill und die Wiedergeburt der Tragodie aus dem Unbewussten. Frankfurt: Athenäum, 1967. 64 p. Lipowicz, Malina. "Fatalizm, determinizm a wolna wola w sztukach Eugene O'Neilla." Kwartalnik Neofilologiczny, 17 (1970), 325-31 McDonough, Carole & Brian. "Mourning Becomes Electra: A Study of the Conflict Between Puritanism and Paganism." English Review, 3 (1975), 6-19 McLaughlin, Bruce W. "Strange Interlude and The Divine Comedy." Theatre Journal (Albany), 12 (Fall 1973), 20-30 Malhotra, M. L. "Desire Under the Elms: An Interpretation." Bridges of Literature. Ajmer: Sunanda, 1971, 37-44; from Literary Criterion, 8 (Winter 1967), 62-68 Manuel, M. "Emperor Jones." In C. D. Narasimhaiah, ed. Indian Response to American Literature. New Delhi: U. S. Educational Foundation in India, 1967, 103-12 Melchinger, Siegfried. "Die Yankee-Electra: O'Neill und Aischylos--vergleichende Bemerkungen." In Lohner & Haas, eds. Theater und Drama in Amerika [see under Juhl], 254-62 Miller, J. William. Modern Playwrights at Work, Volume I. NY: French, 1968, 282-334 (largely quotations from O'Neill's nondramatic writings) Morse, David. "The American Theatre: The Age of O'Neill." In Marcus Cunliffe, ed. American Literature Since 1900. London: Barrie & Jenkins, 1975, 73-103 Nagarajan, S. "A Note on O'Neill's Long Day's Journey Into Night." Literary Criterion, 7 (Winter 1966), 52-54 (its literary style) Oehler de Grau, Maria L. "Evolucion de las ideas y de las técnicas teatrales en O'Neill." Humanitas (Tucuman) 22 (1970), 233-53 Paduano, Guido. "Manierismo e struttura psicologica dell'esperienza greca di Eugene O'Neill." Annali della Scuola Normale Superiors di Pisa, 2 (1972), 761-916 Papajewski, Helmut. "Realismus und Verfremdung in der Symbolik von O'Neills Desire Under the Elms." In Franz H. Link, ed. Amerika: Vision und Wirklichkeit. Frankfurt: Athenäum, 1968, 418-32; from Germanisch-Romanische Monatsschrift, 16 (1966), 410-25 Pettegrove, James P. "Einiges über O'Neill-Ubersetzungen ins Deutsche." Masks und Kothurn, 17 (1971), 40-47 Przemecka, Irena. "The Elements of Tragedy in O'Neill's Plays." Zagadnienia Rodzajow Literackich, 10, ii (1968), 56-69 -----. "Eugene O'Neill and the Irish Drama." Kwartalnik Neofilologiczny, 18 (1971), 3-9 -----. "Symbolizm i symetria w dramatach O'Neilla." Prace Historycznoliterackie, 14 (1968), 311-21 Przybylska, Krystyna. "O'Neill: Zbuntowany naturalista." Dialog (Warsaw), 15, v (1970), 110-21 Riegl, Kurt. "Zum Thoreau-Echo im Spätwerk O'Neills." Germanisch-Romaniscne Monatsschrift, 18 (1968), 191-99 (Touch of the Poet and More Stately Mansions) Roy, Emil. "The Iceman Cometh as Myth and Realism." Journal of Popular Culture, 2 (1968), 299-313 (in Miller, but incorrectly cited as page 302) -----. "O'Neill's Desire Under the Elms and Shakespeare's King Lear." Neueren Sprachen, 65 (1966), 1-6 (Miller gives 15 [1968]) Sastri, P. S. "One Approach to O'Neill." In Sujit Mukherjee & D. V. K. Raghavacharyulu, eds. Indian Essays in American Literature. Bombay: Popular Prakashan, 1969, 55-59 Scheibler, Rolf. The Late Plays of Eugene O'Neill. Bern: Francke, 1970. 222 p. Sproxton, Birk. "Eugene O'Neill, Masks and Demons." Sphinx, 3 (1975), 57-62 Svensson, Bo. Eugene O'Neills scenanvisningar. Lund: Institute of Literary History, Univ. of Lund, Research Group for the Dramatic Arts, 1969. 48 leaves (on cover: Eugene O'Neill's Stage Directions) Taranu, Dana. "Sentimentul
destinului tragic in opera lui O'Neill." Steau, 19 (Oct.
1968), 102-10 -----. "Nietzsche and O'Neill: A Study in Affinity." Orbis Litterarum, 23 (1968), 97-126 Tomse, Dugan. Eugene O'Neill. Ljubljana: Mestno Gledalisce, 1971. 197 p. Triesch, Gisela. Die Motive in Thirst and Other One-Act Plays und ihre Verarbeitung in den späteren Werken O'Neills. Munich: Hueber, 1969. 170 p. Viswanathan, R. "Eugene O'Neill's One Act Plays of the Sea." In M. Manuel, ed. Six Studies in American Literature. Trivandrum: U. S. Educational Foundation in India, 1967, 20-27 Wiig, Birgit. "O'Neill revaluert: Eugene O'Neills tematiske drama." Samtiden, 77 (1968), 256-68 |
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