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PERSONS
REPRESENTED IN THIS ISSUE PATRICK
BOWLES, of the Department of English at Marquette University in
Milwaukee, is spending the current academic year at the Foundation des
Etats-Unis, Cite Universitaire de Paris. His essay on "The Hairy Ape as Existential Allegory" will appear in a
future issue. CHARLES
A. CARPENTER, Professor of English at SUNY-Binghamton, wrote a book on
Shaw, compiled a Goldentree Bibliography on Modern British Drama, does
annual bibliographies for Modern Drama, and writes
articles on Pinter. His biggest project is an International
Bibliography of Modern Drama Studies, 1966-1980, to be published c.
1983, of which the bibliography in this issue will be a part. FRANK
R. CUNNINGHAM, Associate Professor of English at the University of
South Dakota, served as Senior Fulbright-Hays Lecturer in American
Literature at the Jagiellonian University of Cracow, Poland, in
19761977. His writing has appeared in Modern Drama, Ball State Univ. Forum,
Sewanee Review, Saturday Review, James Joyce Quarterly,
Literature-Film Quarterly and the New York Times Book Review. He is preparing a book on film director Sidney Lumet
for Hall-Twayne's Theatrical Arts Series, and another on O'Neill and
the Romantic tradition. He is represented on pp. 7-8 in the September
1977 issue of the Newsletter. WALTER
FAIRSERVIS, though he was raised in the theatre and has been active in
professional theatre for most of his life, is by training and vocation
an anthropologist with bases at the American Museum of Natural History
in New York City (where he is in charge of a new exhibit hall devoted
to the peoples of Asia) and at Vassar College (where he teaches the
anthropology of Asia). MICHAEL
HINDEN, Associate Professor of English at the University of
Wisconsin-Madison, teaches modern drama and has published a variety of
essays on O'Neill (three are listed on p. 25 of the January 1978 issue
of the Newsletter, which contains his essay, "Ironic Use of Myth
in The Hairy Ape," on pp. 2-4), on other
twentieth-century playwrights and on the nature of tragedy. |
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